Syllabaries in the context of "Logographies"

⭐ In the context of logographies, syllabaries are considered fundamentally different because they are…

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⭐ Core Definition: Syllabaries

In the linguistic study of written languages, a syllabary is a set of written symbols that represent the syllables or (more frequently) morae which make up words.

A symbol in a syllabary, called a syllabogram, typically represents an (optional) consonant sound (simple onset) followed by a vowel sound (nucleus)—that is, a CV (consonant+vowel) or V syllable—but other phonographic mappings, such as CVC, CV- tone, and C (normally nasals at the end of syllables), are also found in syllabaries.

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Syllabaries in the context of Writing system

A writing system comprises a set of symbols, called a script, as well as the rules by which the script represents a particular language. The earliest writing appeared during the late 4th millennium BC. Throughout history, each independently invented writing system gradually emerged from a system of proto-writing, where a small number of ideographs were used in a manner incapable of fully encoding language, and thus lacking the ability to express a broad range of ideas.

Writing systems are generally classified according to how their symbols, called graphemes, relate to units of language. Phonetic writing systems – which include alphabets and syllabaries – use graphemes that correspond to sounds in the corresponding spoken language. Alphabets use graphemes called letters that generally correspond to spoken phonemes. They are typically divided into three sub-types: Pure alphabets use letters to represent both consonant and vowel sounds, abjads generally only use letters representing consonant sounds, and abugidas use letters representing consonant–vowel pairs. Syllabaries use graphemes called syllabograms that represent entire syllables or moras. By contrast, logographic (or morphographic) writing systems use graphemes that represent the units of meaning in a language, such as its words or morphemes. Alphabets typically use fewer than 100 distinct symbols, while syllabaries and logographies may use hundreds or thousands, respectively.

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Syllabaries in the context of Syllabogram

Syllabograms are graphemes used to write the syllables or morae of words. Syllabograms in syllabaries are analogous to letters in alphabets, which represent individual phonemes, or logograms in logographies, which represent morphemes.

Syllabograms in the Maya script most frequently take the form of V (vowel) or CV (consonant-vowel) syllables of which approximately 83 are known. CVC signs are present as well. Two modern well-known examples of syllabaries consisting mostly of CV syllabograms are the Japanese kana, used to represent the same sounds in different occasions. Syllabograms tend not to be used for languages with more complicated syllables: for example English phonotactics allows syllables as complex as CCCVCCCC (as in /ˈstrɛŋkθs/ strengths), generating many thousands of possible syllables and making the use of syllabograms cumbersome.

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Syllabaries in the context of Logographic

In a written language, a logogram (from Ancient Greek logos 'word', and gramma 'that which is drawn or written'), also logograph or lexigraph, is a written character that represents a semantic component of a language, such as a word or morpheme. Chinese characters as used in Chinese as well as other languages are logograms, as are Egyptian hieroglyphs and characters in cuneiform script. A writing system that primarily uses logograms is called a logography. Non-logographic writing systems, such as alphabets and syllabaries, are phonemic: their individual symbols represent sounds directly and lack any inherent meaning. However, all known logographies have some phonetic component, generally based on the rebus principle, and the addition of a phonetic component to pure ideographs is considered to be a key innovation in enabling the writing system to adequately encode human language.

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Syllabaries in the context of Heian period

The Heian period (平安時代, Heian jidai) is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). Heian (平安) means 'peace' in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court, noted for its art, especially poetry and literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts.

Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic family who had intermarried with the imperial family; most Emperors of the Heian era had mothers from the Fujiwara family. The economy mostly existed through barter and trade due to the lack of a national currency, while the shōen system encouraged the growth of aristocratic estates that began gradually asserting their independence from Imperial control. Despite a lack of serious warfare or domestic strife during the Heian era, crime and banditry were widespread as the Emperors failed to police the country effectively.

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