Suspended animation in fiction refers to the temporary cessation of life processes experienced by fictional characters, followed by their subsequent revival. This process is commonly employed as a plot device in science fiction narratives. It is frequently utilized to transport a character from the past to the future, a form of forward-only time travel, or to facilitate interstellar space travel, which necessitates an extended journey for months or years, referring to space travel in fiction. In addition to accomplishing the character's primary objective in the future, they often encounter the unfamiliarity of a new world, which may bear only faint resemblance to their previous surroundings. On occasion, a character is portrayed as possessing skills or abilities that have become lost to society during their period of suspension, enabling them to assume a heroic role in their new temporal setting.
- ⭐ Core Definition: Suspended animation in fiction
- Suspended animation in fiction in the context of Sleeping Beauty
- Suspended animation in fiction in the context of The Bedbug
Suspended animation in fiction in the context of Sleeping Beauty
"Sleeping Beauty" (French: La Belle au bois dormant, or The Beauty Sleeping in the Wood; German: Dornröschen, or Little Briar Rose), also titled in English as The Sleeping Beauty in the Woods, is a French fairy tale about a princess cursed by an evil fairy to sleep for a hundred years before being awakened by a handsome prince. A good fairy, knowing the princess would be frightened if alone when she wakes, uses her wand to put every living person and animal in the palace and forest asleep, to awaken when the princess does.
The earliest known version of the tale is found in the French narrative Perceforest, written between 1330 and 1344. Another was the Catalan poem Frayre de Joy e Sor de Paser. Giambattista Basile wrote another, "Sun, Moon, and Talia" for his collection Pentamerone, published posthumously in 1634–36 and adapted by Charles Perrault in Histoires ou contes du temps passé in 1697. The version collected and printed by the Brothers Grimm was one orally transmitted from the Perrault version, while including own attributes like the thorny rose hedge and the curse.
View the full Wikipedia page for Sleeping BeautySuspended animation in fiction in the context of The Bedbug
The Bedbug (Russian: Клоп, romanized: Klop) is a play by Vladimir Mayakovsky written in 1928–1929 and published originally by Molodaya Gvardiya magazine (Nos. 3 and 4, 1929), then as a book, by Gosizdat, in 1929. "The faerie comedy in nine pictures", lampooning the type of philistine that emerged with the New Economic Policy in the Soviet Union, was premiered in February 1929 at the Meyerhold Theatre, with designs by Alexander Rodchenko. Received warmly by audiences, it caused controversy and received harsh treatment in the Soviet press. Unlike its follow-up, The Bathhouse (denounced as ideologically deficient), The Bedbug was criticised mostly for its alleged "aesthetic faults".
The play deals with the themes of suspended animation and being a proverbial fish out of water. In 1929, a young man is frozen in suspended animation during his wedding day. He is revived in the supposedly utopian world of 1979, where drunkenness, smoking, and swearing are long gone. Seen as a relic of the past, he ends up as a human exhibit at the local zoo.
View the full Wikipedia page for The Bedbug