Surround sound in the context of "Sound localization"

Fantasia is a 1940 American animated musical anthology film produced by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen. It consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies who introduces each segment in live-action.

Disney settled on the film's concept in 1938 as work neared completion on The Sorcerer's Apprentice, originally an elaborate Silly Symphony cartoon designed as a comeback role for Mickey Mouse, who had declined in popularity. As production costs surpassed what the short could earn, Disney decided to include it in a feature-length film of multiple segments set to classical pieces with Stokowski and Taylor as collaborators. The soundtrack was recorded using multiple audio channels and reproduced with Fantasound, a pioneering sound system developed by Disney and RCA that made Fantasia the first commercial film shown in stereo and a precursor to surround sound.

Wireless speakers are loudspeakers that receive audio signals using radio frequency (RF) waves rather than over audio cables. The two most popular RF frequencies that support audio transmission to wireless loudspeakers include a variation of WiFi IEEE 802.11, while others depend on Bluetooth to transmit audio data to the receiving speaker.

Apart from the employed RF standard, such speakers can basically be distinguished by their dedicated field of use. Portable wireless speakers for outdoor use are typically designed for ruggedness, portability and battery life, whereas stationary wireless speakers with a focus on good sound quality are meant to be used in home audio systems or surround sound systems for TV or video. Further, types for special applications like waterproof speakers for use in the shower or speakers for a voice assistant may intermix between the properties of the two former.

MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) is an audio coding format developed largely by the Fraunhofer Society in Germany under the lead of Karlheinz Brandenburg. It was designed to greatly reduce the amount of data required to represent audio, yet still sound like a faithful reproduction of the original uncompressed audio to most listeners; for example, compared to CD-quality digital audio, MP3 compression can commonly achieve a 75–95% reduction in size, depending on the bit rate. In popular usage, MP3 often refers to files of sound or music recordings stored in the MP3 file format (.mp3) on consumer electronic devices.

MPEG-1 Audio Layer III was originally defined in 1991 as one of the three possible audio codecs of the MPEG-1 standard (along with MPEG-1 Audio Layer I and MPEG-1 Audio Layer II). All three options were retained and further extended—defining additional bit rates and support for more audio channels (supporting surround sound—in the subsequent MPEG-2 standard).

Stereophonic sound, commonly shortened to stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing.

Because the multi-dimensional perspective is the crucial aspect, the term stereophonic also applies to systems with more than two channels or speakers, such as quadraphonic and surround sound. Binaural sound systems are also stereophonic.

LaserDisc (LD) is a home video format and the first commercial optical disc storage medium. It was developed by Philips, Pioneer, and the movie studio MCA. The format was initially marketed in the United States in 1978 under the name DiscoVision, a brand used by MCA. As Pioneer took a greater role in its development and promotion, the format was rebranded LaserVision. While the LaserDisc brand originally referred specifically to Pioneer's line of players, the term gradually came to be used generically to refer to the format as a whole, making it a genericized trademark. The discs typically have a diameter of 300 millimeters (11.8 in), similar in size to the 12-inch (305 mm) phonograph record. Unlike most later optical disc formats, LaserDisc is not fully digital; it stores an analog video signal.

Many titles featured CD-quality digital audio, and LaserDisc was the first home video format to support surround sound. Its 425 to 440 horizontal lines of resolution was nearly double that of competing consumer videotape formats, VHS and Betamax, and approaching the resolution later achieved by DVDs. Despite these advantages, the format failed to achieve widespread adoption in North America or Europe, primarily due to the high cost of players and their inability to record.

DTS, Inc. (an initialism of its original name, Digital Theater Systems) is an American company that makes multichannel audio technologies for film and video. Based in Calabasas, California, the company introduced its DTS technology in 1993 as a competitor to Dolby Laboratories, incorporating DTS in the film Jurassic Park (1993). The DTS product is used in surround sound formats for both commercial/theatrical and consumer-grade applications. It was known as The Digital Experience until 1995. DTS licenses its technologies to consumer electronics manufacturers.

DTS, Inc. was acquired by Tessera Technologies Inc. in December 2016 and combined under the newly created Tessera Holding Corporation. The combined company was renamed to Xperi Corporation in February 2017.

TOSLINK (Toshiba Link) is a standardized optical fiber connector system. Generically known as optical audio, the most common use of the TOSLINK optical fiber connector is in consumer audio equipment in which the digital optical socket carries (transmits) a stream of digital audio signals from audio equipment (CD player, DVD player, Digital Audio Tape recorder, computer, video game console) to an AV receiver that can decode two channels of uncompressed, pulse-code modulated (PCM) audio; or decode compressed 5.1 or 7.1 surround sound audio signals, such as Dolby Digital and DTS. Unlike an HDMI connector cable, a TOSLINK optical fiber connector does not possess the bandwidth capacity to carry the uncompressed audio signals of Dolby TrueHD and of DTS-HD Master Audio, but it can carry up to 8 channels of PCM audio when used to connect two devices that use the ADAT Lightpipe standard.

Although the TOSLINK connector supports several media formats and physical standards, the most common digital audio connectors are the rectangular EIAJ/JEITA RC-5720 (also CP-1201 and JIS C5974-1993 F05). In a TOSLINK connector, the optical signal appears as a red light, with a peak wavelength of 650 nm. Depending on the type of modulated signal being carried, other optical wavelengths can be present.