Super 35 in the context of Film format

Negative pulldown is the manner in which an image is exposed on a film stock, described by the number of film perforations spanned by an individual frame. It can also describe whether the image captured on the negative is oriented horizontally or vertically. Changing the number of exposed perforations allows a cinematographer to change both the aspect ratio of the image and the size of the area on the film stock that the image occupies (which affects image clarity).

The most common negative pulldowns for 35 mm film are 4-perf and 3-perf, the latter of which is usually used in conjunction with Super 35. 2-perf, used in Techniscope in the 1960s, is enjoying a slight resurgence due to the birth of digital intermediate techniques eliminating the need for optical lab work. Vertical pulldown is overwhelmingly the dominant axis of motion in cinematography, although horizontal pulldown is used in IMAX, VistaVision, and in 35 mm consumer and professional still cameras.

The Genesis is a discontinued high-end digital movie camera developed by Panavision, and was available solely by rental. It is based on a proprietary Super 35 1.78:1 (16:9) aspect ratio, 12.4-megapixel, RGB filtered CCD sensor. It was first used by a feature crew to shoot Bryan Singer's Superman Returns, and was shortly followed up thereafter by the World War I film Flyboys. However, the computer effect-heavy nature of these two movies meant that ultimately the comedy Scary Movie 4 was the first theatrically released feature primarily shot with the Genesis. It was discontinued in 2012 and succeeded by the Millennium DXL line developed with Red Digital Cinema.

Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The formal name for Super 8 is 8-mm Type S, distinguishing it from the older double-8 format, which is called 8-mm Type R. Unlike Super 35 (which is generally compatible with standard 35 mm equipment), the film stock used for Super 8 is not compatible with standard 8 mm film cameras.

The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the dimensions of the rectangular sprocket hole perforations along one edge are smaller, which allows for a larger image area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded.

Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 30.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm (0.980 in × 0.735 in) and Ø 31.11 mm field diameter.

Sensors approximating these dimensions are used in many digital single-lens reflex cameras (DSLRs), mirrorless interchangeable-lens cameras (MILCs), and a few large-sensor live-preview digital cameras. APS-C size sensors are also used in a few digital rangefinders.