Submediant in the context of "Subdominant"

Play Trivia Questions online!

or

Skip to study material about Submediant in the context of "Subdominant"




⭐ Core Definition: Submediant

In music, the submediant is the sixth degree (scale degree 6) of a diatonic scale. The submediant ("lower mediant") is named thus because it is halfway between the tonic and the subdominant ("lower dominant") or because its position below the tonic is symmetrical to that of the mediant above. (See the figure in the Degree (music) article.)

In the movable do solfège system, the submediant is sung as la in a major mode, le or lo in do-based minor and fa in la-based minor. It is occasionally called superdominant, as the degree above the dominant. This is its normal name (sus-dominante) in French.

↓ Menu

In this Dossier

Submediant in the context of Nacht und Träume

Nacht und Träume (Night and Dreams) is a lied for voice and piano by Franz Schubert, from a text by Matthäus von Collin, and published in 1825. In Otto Erich Deutsch's catalogue of Schubert's works, it is D. 827.

The song, a meditation on night and dreams, is marked "Sehr langsam" (very slowly) and is in the key of B major (with a modulation to the flattened submediant, G major, in the middle). There is a single dynamic indication, "pianissimo" (very quietly), which does not change throughout the song. The piano plays broken chords in semiquavers for the song's duration in a manner similar to bar five (the bar in which the voice enters), for example:

↑ Return to Menu

Submediant in the context of Relative key

In music, 'relative keys' are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)

For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for example, A minor is three semitones below its relative, C major.

↑ Return to Menu