Myrina (Aeolis) in the context of "Amazons"

⭐ In the context of the Amazons, Myrina (Aeolis) is considered…

Ad spacer

⭐ Core Definition: Myrina (Aeolis)

Myrina (Ancient Greek: Μυρίνα) was one of the Aeolian cities on the western coast of Mysia, about 40 stadia to the southwest of Gryneion. The former bishopric is now a Latin Catholic titular see.

Its site is believed to be occupied by the modern Sandarlik at the mouth of the Koca Çay, near the town of Aliağa in İzmir Province, in the Aegean Region of Turkey, near Kalavasari.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Myrina (Aeolis) in the context of Amazons

The Amazons (Ancient Greek: Ἀμαζόνες Amazónes, singular Ἀμαζών Amazōn; in Latin Amāzon, -ŏnis) were a people in Greek mythology, portrayed in a number of ancient epic poems and legends, such as the Labours of Heracles, the Argonautica and the Iliad. They were female warriors and hunters, known for their physical agility, strength, archery, riding skills, and the arts of combat. Their society was closed to men and they raised only their daughters, returning their sons to their fathers with whom they would only socialize briefly in order to reproduce.

Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor, and the Aegean Islands, reaching as far as Arabia and Egypt. Besides military raids, the Amazons are also associated with the foundation of temples and the establishment of numerous ancient cities like Ephesos, Cyme, Smyrna, Sinope, Myrina, Magnesia, Pygela, etc.

↓ Explore More Topics
In this Dossier

Myrina (Aeolis) in the context of Greek tragedy

Greek tragedy (Ancient Greek: τραγῳδία, romanizedtragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.

Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it greatly influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes of human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play.

↑ Return to Menu

Myrina (Aeolis) in the context of Gryneion

Gryneium or Gryneum or Gryneion (Ancient Greek: Γρύνειον), also Grynium or Grynion (Γρύνιον), Grynia or Gryneia (Γρύνεια) and Grynoi (Γρῦνοι), was a city of ancient Aeolis. It was located 40 stadia from Myrina and 70 from Elaea. In early times it was independent, one of the 12 important cities of Aeolis, but afterwards became subject to Myrina. It contained a sanctuary of Apollo with an ancient oracle and a splendid temple of white marble. Because of the city Apollo derived the surname of Gryneus. Pausanias wrote that at Gryneium, where there was an amazing grove of Apollo, with cultivated trees, and all those which, although they bear no fruit, are pleasing to smell or look upon.

Xenophon mentions Gryneium as belonging to Gongylus of Eretria; and it is possible that the castrum Grunium in Phrygia, from which Alcibiades derived an income of 50 talents was the town of Grynium. It was a member of the Delian League.

↑ Return to Menu