French neoclassicism in the context of "Beaux-Arts architecture"

⭐ In the context of Beaux-Arts architecture, French neoclassicism is considered…

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⭐ Core Definition: French neoclassicism

Neoclassicism is a movement in architecture, design and the arts which emerged in France in the 1740s and became dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.

Prominent architects of the style included Ange-Jacques Gabriel (1698–1782), Jacques-Germain Soufflot (1713–1780), Claude-Nicolas Ledoux (1736–1806) and Jean-François Chalgrin (1739–1811); painters included Jacques-Louis David (1748–1825) and his pupil, Jean-Auguste-Dominique Ingres (1780–1867).

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👉 French neoclassicism in the context of Beaux-Arts architecture

Beaux-Arts architecture (/bz ˈɑːr/ bohz AR, French: [boz‿aʁ] ) was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass, and later, steel. It was an important style and enormous influence in Europe and the Americas through the end of the 19th century and into the 20th, particularly for institutional and public buildings.

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