Street performance in the context of Sword swallowing


Street performance in the context of Sword swallowing

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⭐ Core Definition: Street performance

Street performance or busking is the act of performing in public places for gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers, although busker is generally not used in American English.

Performances are anything that people find entertaining, including acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, juggling, magic, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such as sketching and painting, street theatre, sword swallowing, ventriloquism, weightlifting and washboarding. Buskers may be solo performers or small groups.

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Street performance in the context of Circus skills

Circus skills are a group of disciplines that have been performed as entertainment in circus, carnival, sideshow, busking, variety, vaudeville, or music hall shows. Most circus skills are still being performed today. Many are also practiced by non-performers as a hobby.

Circus schools and instructors use various systems of categorization to group circus skills by type. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system (the basis of the Russian Circus School's curriculum) and the Hovey Burgess system.

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Street performance in the context of Pier 39

Pier 39 is a shopping center and popular tourist attraction built on a pier in San Francisco, California. At Pier 39, there are shops, restaurants, a video arcade, street performances, the Aquarium of the Bay, virtual 3D rides, and views of California sea lions hauled out on docks on Pier 39's marina. A two-story carousel is one of the pier's more dominant features, although it is not directly visible from the street and sits towards the end of the pier. The family-oriented entertainment and presence of marine mammals make this a popular tourist location for families with kids.

The pier is located at the edge of the Fisherman's Wharf district and is close to North Beach, Chinatown, and the Embarcadero. The area is easily accessible with the historic F Market streetcars. Attractions include Kwak, a store selling only rubber ducks, and Magowan's Infinite Mirror Maze.

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Street performance in the context of Fire eating

Fire eating (a.k.a. pyrophagia) is the act of putting a flaming object into the mouth and extinguishing it. A fire eater can be an entertainer, a street performer, part of a sideshow or a circus act but has also been part of spiritual tradition in India.

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Street performance in the context of Unicycle

A unicycle, also monocycle is a vehicle that touches the ground with only one wheel. The most common variation has a frame with a saddle, and has a pedal-driven direct-drive. A two speed hub is commercially available for faster unicycling. Unicycling is practiced professionally in circuses, by street performers, in festivals, and as a hobby. Unicycles have also been used to create new sports such as unicycle basketball and unicycle hockey. In recent years, unicycles have also been used in mountain unicycling, an activity similar to mountain biking or trials.

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Street performance in the context of Esplanadi

Esplanadi (Swedish: Esplanaden), colloquially known as Espa, is an esplanade and urban park in downtown Helsinki, Finland, situated between the Erottaja square and the Market Square. It is bordered on its northern and southern sides by the Pohjoisesplanadi (Norra Esplanaden, North Esplanadi) and Eteläesplanadi (Södra Esplanaden, South Esplanadi) streets, respectively. Aleksanterinkatu runs parallel to Esplanadi. Esplanadi is well known as a popular walking area, and street performances are also often held in the park.

The origins of Esplanadi Park date back to the early 19th century, when visions for the reconstruction of Helsinki began to take form. Its layout, with the distinctive twin rows of trees, was first outlined in Johan Albreht Ehrenström's town plan, which won the approval of Emperor Alexander I of Russia in 1817. Designed by the architect Carl Ludwig Engel, the park was originally opened in 1818.

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