Stoa of Attalos in the context of "American School of Classical Studies at Athens"

A stoa (/ˈstoʊə/; plural, stoas, stoai, or stoae /ˈstoʊ.iː/), in ancient Greek architecture, is a covered walkway or portico, commonly for public use. Early stoas were open at the entrance with columns, usually of the Doric order, lining the side of a building; they created a safe, enveloping, protective atmosphere.

This, an "open-fronted shelter with a lean-to roof", is the meaning in modern usage, but in fact the ancient Greeks "made no clear distinction in their speech" between these and large enclosed rooms with similar functions.

The Ancient Agora of Athens (also called the Classical Agora) is an ancient Greek agora. It is located to the northwest of the Acropolis, and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place.

A hierophant (Ancient Greek: ἱεροφάντης, romanized: hierophántēs) is a person who brings religious congregants into the presence of that which is deemed holy. As such, a hierophant is an interpreter of sacred mysteries and arcane principles.

The word comes from ancient Greece, where it was constructed from the combination of τὰ ἱερά (ta hiera, 'the holy') and φαίνω (phainō, 'to reveal').

The agora (/ˈæɡərə/; Ancient Greek: ἀγορά, romanized: agorá, meaning "market" in Modern Greek) was a central public space in ancient Greek city-states. The literal meaning of the word "agora" is "gathering place" or "assembly". The agora was the center of the athletic, artistic, business, social, spiritual, and political life in the city. The Ancient Agora of Athens is the best-known example.

Kottabos (Ancient Greek: κότταβος) was a game of skill played at Ancient Greek and Etruscan symposia (drinking parties), especially in the 6th and 5th centuries BC. It involved flinging wine-lees (sediment) at a target in the middle of the room. The winner would receive a prize (κοττάβιον or "kottabion"), comprising cakes, sweetmeats, or kisses.

Ancient writers, including Dionysius Chalcus, Alcaeus, Anacreon, Pindar, Bacchylides, Aeschylus, Sophocles, Euripides, Aristophanes, and Antiphanes, make frequent and familiar allusion to the practice; and it is depicted on contemporaneous red-figure vases. References to the practice by the writers of the Roman and Alexandrian periods show that the fashion had died out. In Latin literature, it is almost entirely unknown.