Steve Reich in the context of "Drumming (Reich)"

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⭐ Core Definition: Steve Reich

Stephen Michael Reich (/rʃ/ RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.

His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).

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Steve Reich in the context of Minimalism

In visual arts, music, and other media, minimalism is an art movement that had emerged in the post-World War II era in Western art. It is often interpreted as a reaction to abstract expressionism and modernism. The movement anticipated various post-minimalist practices in contemporary art that extended or critically reflected on minimalism's original aims. Minimalism emphasized reducing art to its essentials, focusing on the object itself and the viewer's experience with minimal mediation from the artist. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt, and Frank Stella.

Minimalism in music features methods like repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term is sometimes used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and the automobile designs of Colin Chapman. In recent years, minimalism has come to refer to anything or anyone that is spare or reduced to its essentials.

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Steve Reich in the context of Minimal music

Minimal music (also called minimalism) is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.

The approach originated on the West Coast of the United States in the late 1950s and early 1960s, particularly around the Bay Area, where La Monte Young, Terry Riley and Steve Reich were studying and living at the time. After the three composers moved to the East Coast, their music became associated with the New York Downtown music scene of the mid-1960s, where it was initially viewed as a form of experimental music called the New York Hypnotic School. In the Western art music tradition, the American composers Moondog, La Monte Young, Terry Riley, Steve Reich and Philip Glass are credited with being among the first to develop compositional techniques that exploit a minimal approach. The movement originally involved dozens of composers, although only five (Young, Riley, Reich, Glass, and later John Adams) emerged to become publicly associated with American minimal music; other lesser known pioneers included Dennis Johnson, Terry Jennings, Richard Maxfield, Pauline Oliveros, Phill Niblock, and James Tenney. In Europe, the music of Louis Andriessen, Karel Goeyvaerts, Michael Nyman, Howard Skempton, Éliane Radigue, Gavin Bryars, Steve Martland, Peter Michael Hamel, Henryk Górecki, Arvo Pärt and John Tavener exhibits minimalist traits.

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Steve Reich in the context of Sextet

A sextet (or hexad) is a formation containing exactly six members. The former term is commonly associated with vocal ensembles (e.g. The King's Singers, Affabre Concinui) or musical instrument groups, but can be applied to any situation where six similar or related objects are considered a single unit.

Musical compositions with six parts are sextets. Many musical compositions are named for the number of musicians for which they are written. If a piece is written for six performers, it may be called a "sextet". Steve Reich's "Sextet", for example, is written for six percussionists. However, much as many string quartets do not include "string quartet" in the title (though many do), many sextets do not include "sextet" in their title. See: string sextet and piano sextet.

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Steve Reich in the context of Moondog

Louis Thomas Hardin (May 26, 1916 – September 8, 1999), known professionally as Moondog, was an American composer, musician, performer, music theoretician, poet and inventor of musical instruments. Largely self-taught as a composer, his prolific work widely drew inspiration from jazz, classical, Native American music which he had become familiar with as a child, and Latin American music. His strongly rhythmic, contrapuntal pieces and arrangements later influenced composers of minimal music, in particular American composers Steve Reich and Philip Glass.

Due to an accident, Moondog was blind from the age of 16. He lived in a small apartment on 44th Street in New York City from the late 1940s until 1972, during which time he was often found on Sixth Avenue, between 52nd and 55th Streets, selling records, composing, and performing poetry. According to the New York Times, he made most of his living begging. He briefly appeared in a cloak and horned helmet during the 1960s and was hence recognized as "the Viking of Sixth Avenue" by passersby and residents who were not aware of his musical career.

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Steve Reich in the context of In C

In C is a composition by Terry Riley from 1964. It is one of the most successful works by an American composer and a seminal example of minimalism. The score directs any number of musicians to repeat a series of 53 melodic fragments in a guided improvisation.

Terry Riley's 1968 recording of In C was added to the National Recording Registry in 2022. The piece inspired countless other composers, including Philip Glass, Steve Reich, John Adams, and Julius Eastman.

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Steve Reich in the context of Tape loop

In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound.

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Steve Reich in the context of It's Gonna Rain

It's Gonna Rain is a tape composition written by American composer Steve Reich in 1965. It lasts about 18 minutes. It was Reich's first major work and is considered a landmark in minimalism and process music.

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