Star fort in the context of "Bastion"

The fortifications of the town of Rhodes are shaped like a defensive crescent around the medieval town and consist mostly of a fortification composed of a huge wall made of an embankment encased in stone, equipped with scarp, bastions, moat, counterscarp and glacis. The portion of fortifications facing the harbour is instead composed of a crenellated wall. On the moles, towers and defensive forts are found.

They were built by the Knights Hospitaller of Saint John by enhancing the existing Byzantine walls starting from 1309, the year in which they took possession of the island after a three-year struggle.

Gunpowder is the first explosive to have been created in the world. Popularly listed as one of the "Four Great Inventions" of China, it was invented during the late Tang dynasty (9th century) while the earliest recorded chemical formula for gunpowder dates to the Song dynasty (11th century). Knowledge of gunpowder spread rapidly throughout Eurasia, possibly as a result of the Mongol conquests during the 13th century, with written formulas for it appearing in the Middle East between 1240 and 1280 in a treatise by Hasan al-Rammah, and in Europe by 1267 in the Opus Majus by Roger Bacon. It was employed in warfare to some effect from at least the 10th century in weapons such as fire arrows, bombs, and the fire lance before the appearance of the gun in the 13th century. While the fire lance was eventually supplanted by the gun, other gunpowder weapons such as rockets and fire arrows continued to see use in China, Korea, India, and this eventually led to its use in the Middle East, Europe, and Africa. Bombs too never ceased to develop and continued to progress into the modern day as grenades, mines, and other explosive implements. Gunpowder has also been used for non-military purposes such as fireworks for entertainment, or in explosives for mining and tunneling.

The evolution of guns led to the development of large artillery pieces, popularly known as bombards, during the 15th century, pioneered by states such as the Duchy of Burgundy. Firearms came to dominate early modern warfare in Europe by the 17th century. The gradual improvement of cannons firing heavier rounds for a greater impact against fortifications led to the invention of the star fort and the bastion in the Western world, where traditional city walls and castles were no longer suitable for defense. The use of gunpowder technology also spread throughout the Islamic world and to India, Korea, and Japan. The so-called Gunpowder Empires of the early modern period consisted of the Mughal Empire, Safavid Empire, and Ottoman Empire.

Renaissance technology was the set of European artifacts and inventions which spread through the Renaissance period, roughly the 14th century through the 16th century. The era is marked by profound technical advancements such as the printing press, linear perspective in drawing, patent law, double shell domes and bastion fortresses. Sketchbooks from artisans of the period (Taccola and Leonardo da Vinci, for example) give a deep insight into the mechanical technology then known and applied.

Renaissance science spawned the Scientific Revolution; science and technology began a cycle of mutual advancement.

Coastal defence (or defense) and coastal fortification are measures taken to provide protection against military attack at or near a coastline (or other shoreline), for example, fortifications and coastal artillery. Because an invading enemy normally requires a port or harbour to sustain operations, such defences are usually concentrated around such facilities, or places where such facilities could be constructed. Coastal artillery fortifications generally followed the development of land fortifications, usually incorporating land defences; sometimes separate land defence forts were built to protect coastal forts. Through the middle 19th century, coastal forts could be bastion forts, star forts, polygonal forts, or sea forts, the first three types often with detached gun batteries called "water batteries". Coastal defence weapons throughout history were heavy naval guns or weapons based on them, often supplemented by lighter weapons. In the late 19th century separate batteries of coastal artillery replaced forts in some countries; in some areas these became widely separated geographically through the mid-20th century as weapon ranges increased. The amount of landward defence provided began to vary by country from the late 19th century; by 1900 new US forts almost totally neglected these defences. Booms were also usually part of a protected harbor's defences. In the middle 19th century underwater minefields and later controlled mines were often used, or stored in peacetime to be available in wartime. With the rise of the submarine threat at the beginning of the 20th century, anti-submarine nets were used extensively, usually added to boom defences, with major warships often being equipped with them (to allow rapid deployment once the ship was anchored or moored) through early World War I. In World War I railway artillery emerged and soon became part of coastal artillery in some countries; with railway artillery in coast defence some type of revolving mount had to be provided to allow tracking of fast-moving targets.

In littoral warfare, coastal defence counteracts naval offence, such as naval artillery, naval infantry (marines), or both.

The Fort of San Diego (Spanish: Fuerte de San Diego), formerly also known as the Fort of San Carlos (Spanish: Fuerte de San Carlos) is a star fort in Acapulco, Guerrero, Mexico. It was built by the Spanish Empire, and it was one of the most important Spanish fortifications along the Pacific coast. The fort was first built in the 17th century, but was completely rebuilt in the 18th century. Today, it is an important landmark in Acapulco, and it is open to the public as the Acapulco Historic Museum (Spanish: Museo Histórico de Acapulco).

Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications.

Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for cassoni he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective.