Stained-glass window in the context of "Enamelled glass"

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⭐ Core Definition: Stained-glass window

Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from glasswork, for example in the famous lamps of Louis Comfort Tiffany.

As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured silver stain are often used to enhance the design. The term stained glass is also applied to enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln.

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Stained-glass window in the context of Morris, Marshall, Faulkner & Co.

Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.

Although its most influential period was during the flourishing of the Arts and Crafts Movement in the 1880s and 1890s, Morris & Co. remained in operation in a limited fashion from World War I until its closure in 1940. The firm's designs are still sold today under licences given to Sanderson & Sons, part of the Walker Greenbank wallpaper and fabrics business (which owns the "Morris & Co." brand,) and to Liberty of London.

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Stained-glass window in the context of Education (Chittenden Memorial Window)

Education is a stained-glass window commissioned from Louis Comfort Tiffany's Tiffany Glass Company during the building of Yale University's Chittenden Hall (now Linsly-Chittenden Hall, after being connected to a nearby building), funded by Simeon Baldwin Chittenden. Personifications of Art, Science, Religion, and Music are represented in the work, as angels. Other angelic representations of related virtues, values, and ideas attend them, each identified by words in their halos.

Originally overlooking the main reading room of the then new university library when installed in 1890, the window's location is now identified as room 102 of Linsly-Chittenden Hall, on the High Street side of the building. It is accompanied by a bronze plaque which states that the window had been commissioned to commemorate the daughter of the donor, with the intent of illustrating the biblical quote, "Through wisdom is a house builded, and by understanding it is established, and by knowledge shall the chambers be filled with all precious and pleasant riches".,

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