Stage musical in the context of "Show Boat"

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⭐ Core Definition: Stage musical

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musical comedies, which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond the revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of the best-known musicals through the decades that followed includeMy Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015).

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In this Dossier

Stage musical in the context of Princess Knight

Princess Knight, also known as Ribon no Kishi, is a Japanese manga series written and illustrated by Osamu Tezuka. This manga follows the adventures of Sapphire, a girl who was born accidentally with the blue heart of a boy and the pink heart of a girl. She pretends to be a prince to prevent the evil Duke Duralumin from taking over the kingdom through his son, Plastic. The gender-bending main character was inspired by the all-female musical theater group Takarazuka Revue in which women performed both female and male roles.

The story was ordered by an editor of Kodansha's magazine Shōjo Club who wanted Tezuka to produce a manga aimed towards a female audience that could replicate the success of his former boy-aimed stories. The author then created Princess Knight, originally serialized in that magazine from 1953 to 1956. The manga's popularity resulted into a radio dramatization in 1955, three other serializations between 1958 and 1968, and a 52-episode television anime series by Mushi Production that aired on Fuji TV from 1967 to 1968. It has also influenced several stage musicals since the 1980s and inspired remakes of the work by other authors.

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Stage musical in the context of The Lion King (musical)

The Lion King is a stage musical with a book by Roger Allers and Irene Mecchi based on the 1994 Walt Disney Animation Studios' film of the same name. Directed by Julie Taymor, the musical features actors in animal costumes as well as giant, hollow puppets. The show is produced by Disney Theatrical Productions and features songs from the original film by Elton John and Tim Rice, while the majority of new songs were contributed by Lebo M, Mark Mancina, Jay Rifkin, Tsidii Le Loka, Taymor, and Hans Zimmer.

The musical debuted on July 8, 1997, in Minneapolis, Minnesota at the Orpheum Theatre and was an instant success before premiering on Broadway at the New Amsterdam Theater on October 15, 1997, in many previews with the official opening on November 13, 1997. On June 13, 2006, the Broadway production moved to the Minskoff Theatre to make way for the musical version of Mary Poppins, where it is still running after more than 10,000 performances. It is Broadway's third longest-running show in history and the highest grossing Broadway production of all time, having grossed more than $1.9 billion.

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