Staatsbibliothek zu Berlin in the context of Wahdat al-wujūd


Staatsbibliothek zu Berlin in the context of Wahdat al-wujūd

⭐ Core Definition: Staatsbibliothek zu Berlin

The Berlin State Library (German: Staatsbibliothek zu Berlin; officially abbreviated as SBB, colloquially Stabi) is a universal library in Berlin, Germany, and a property of the German public cultural organization the Prussian Cultural Heritage Foundation (German: Stiftung Preußischer Kulturbesitz).

Founded in 1661, it is among the largest libraries in Europe, and one of the most important academic research libraries in the German-speaking world. It collects texts, media and cultural works from all fields across many languages, from all time periods and all countries of the world, and offer them for academic and research purposes.

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👉 Staatsbibliothek zu Berlin in the context of Wahdat al-wujūd

Wahdat al-wujūd (Arabic: وحدة الوجود "unity of existence, oneness of being") is a doctrine in the field of Islamic philosophy and mysticism, according to which the monotheistic God is identical with existence (wujūd) and this one existence is that through which all existing things (mawjūdāt) exist. This doctrine, which in recent research is characterized as ontological monism, is attributed to the Andalusian Sufi Ibn Arabi (d. 1240) but was essentially developed by the philosophically oriented interpreters of his works. In the Early Modern Period, it gained great popularity among Sufis. Some Muslim scholars such as Ibn Taymiyya (d. 1329), ʿAbd al-Qādir Badā'ūnī (d. 1597/98) and Ahmad Sirhindi (d. 1624), however, regarded wahdat al-wujūd as a pantheistic heresy in contradiction to Islam and criticized it for leading its followers to antinomianist views. In reality, however, many advocates of wahdat al-wujūd emphasized that this teaching did not provide any justification for transgressing Sharia. The Egyptian scholar Murtada al-Zabidi (d. 1790) described wahdat al-wujūd as a "famous problem" (masʾala mashhūra) that arose between the "people of mystical truth" (ahl al-ḥaqīqa) and the "scholars of the literal sense" (ʿulamāʾ aẓ-ẓāhir). The Ni'matullahi master Javad Nurbakhsh (d. 2008) was of the opinion that Sufism as a whole was essentially a school of the "unity of being".

Another name for this doctrine is Tawhid wujūdī ("existential monism, doctrine of existential unity"). The adherents of Wahdat al-Wujūd were also known as Wujūdis (Wujūdīya) or "people of unity" (ahl al-waḥda).

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Staatsbibliothek zu Berlin in the context of Masonic music

Masonic music has been defined as "music used in connection with the ritual and social functions of freemasonry." Two major types of music used in masonic lodges are lodge songs, played to keyboard accompaniment before or after meetings, or during meals; and music written to accompany specific masonic ceremonies and events. Because the number 3 and the letter 'B' are of particular significance to freemasonry, music written in the keys of C minor or E flat major, which both involve 3 flats, (whose symbol '♭' resembles the lowercase letter 'b'), in their key signatures has been considered especially appropriate for masonic ceremonial music.

Although there had been earlier examples, like Jean-Philippe Rameau's opera Zoroastre (1749), whose librettist Louis de Cahusac was a Freemason, the masonic music of Wolfgang Amadeus Mozart is among the best-known of its kind. Mozart's opera The Magic Flute and his incidental music to Thamos, King of Egypt have masonic connections. Other openly masonic compisitions by Mozart include the Maurerische Trauermusik (Masonic Funeral Music) and a number of songs and cantatas.

View the full Wikipedia page for Masonic music
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