St Cuthbert's Church, Edinburgh in the context of "Castle Rock (Edinburgh)"

Play Trivia Questions online!

or

Skip to study material about St Cuthbert's Church, Edinburgh in the context of "Castle Rock (Edinburgh)"

Ad spacer

⭐ Core Definition: St Cuthbert's Church, Edinburgh

The Parish Church of St Cuthbert is a parish church of the Church of Scotland in central Edinburgh. Probably founded in the 7th century, the church once covered an extensive parish around the burgh of Edinburgh. The church's current building was designed by Hippolyte Blanc and completed in 1894.

St Cuthbert's is situated within a large churchyard that bounds Princes Street Gardens and Lothian Road. A church was probably founded on this site during or shortly after the life of Cuthbert. The church is first recorded in 1128, when David I granted it to Holyrood Abbey. At that time, the church covered an extensive parish, which was gradually reduced until the 20th century by the erection and expansion of other parishes, many of which were founded as chapels of ease of St Cuthbert's. St Cuthbert's became a Protestant church at the Scottish Reformation in 1560: from after the Reformation until the 19th century, the church was usually called the West Kirk. After the Restoration in 1660, the congregation remained loyal to the Covenanters. The church's position at the foot of Castle Rock saw it damaged or destroyed at least four times between the 14th and 17th centuries.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

St Cuthbert's Church, Edinburgh in the context of Memento mori

Memento mori (Latin for "remember (that you have) to die") is an artistic symbol or trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.

The most common motif is a skull, often accompanied by bones. Often, this alone is enough to evoke the trope, but other motifs include a coffin, hourglass, or wilting flowers to signify the impermanence of life. Often, these would accompany a different central subject within a wider work, such as portraiture; however, the concept includes standalone genres such as the vanitas and Danse Macabre in visual art and cadaver monuments in sculpture.

↑ Return to Menu