Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a catch-all term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the quality of spoken word is shaped less by the visual aesthetics on a page, and more from phonaesthetics or the aesthetics of sound.
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Spoken word in the context of Oral tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, beliefs, ideas and culture are received, preserved, and transmitted orally from one generation to another. The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry. The information is mentally recorded by oral repositories, sometimes termed "walking libraries", who are usually also performers. Oral tradition is a medium of communication for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. It is the most widespread medium of human communication. They often remain in use in the modern era throughout for cultural preservation.
Religions such as Buddhism, Hinduism, Catholicism, and Jainism have used oral tradition, in parallel to writing, to transmit their canonical scriptures, rituals, hymns and mythologies. African societies have broadly been labelled oral civilisations, contrasted with literate civilisations, due to their reverence for the oral word and widespread use of oral tradition.
Spoken word in the context of History of Africa
Archaic humans emerged out of Africa between 0.5 and 1.8 million years ago. This was followed by the emergence of modern humans (Homo sapiens) in East Africa around 300,000–250,000 years ago. In the 4th millennium BC written history arose in Ancient Egypt, and later in Nubia's Kush, the Horn of Africa's Dʿmt, and Ifrikiya's Carthage. Between around 3000 BCE and 500 CE, the Bantu expansion swept from north-western Central Africa (modern day Cameroon) across much of Central, Eastern, and Southern Africa, displacing or absorbing groups such as the Khoisan and Pygmies. The oral word is revered in most African cultures, and history has generally been passed down through oral tradition. This has led anthropologists to term them "oral civilisations".
There were many kingdoms and empires all over the continent that rose and fell. Most states were created through conquest or the borrowing and assimilation of ideas and institutions, while others developed largely in isolation. Some African empires and kingdoms include:
Spoken word in the context of Poetry slam
A poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges.
Poetry slams began in Chicago in the 1980s, with the first slam competition designed to move poetry recitals from academia to a popular audience. American poet Marc Smith, believing the poetry scene at the time was "too structured and stuffy", began experimenting by attending open-microphone poetry readings, and then turning them into slams by introducing the element of competition.
Spoken word in the context of Open mic
An open mic or open mike (shortened from "open microphone") is a live show at a venue such as a coffeehouse, nightclub, comedy club, strip club, or pub, often taking place at night (an open mic night), in which audience members may perform on stage whether they are amateurs or professionals, often for the first time or to promote an upcoming performance. As the name suggests, performers are usually provided with a microphone plugged into a PA system so that they can be better heard by the audience.
Performers may sign up in advance for a time slot with the host, who is typically an experienced performer or the venue's manager or owner. The host may screen potential candidates for suitability for the venue and give them a time to perform during the show. Open mics are focused on performance arts such as comedy (whether it be sketch or stand-up), music (often acoustic singer-songwriters), poetry, and spoken word. It is less common for groups such as rock bands or comedy troupes to perform, mostly because of the space and logistical requirements of preparing equipment and soundchecking such groups.
Spoken word in the context of Spoken word album
A spoken word album is a recording of spoken material, a predecessor of the contemporary audiobook genre. Rather than featuring music or songs, the content of spoken word albums include political speeches, dramatic readings of historical documents, dialogue from a film soundtrack, dramatized versions of literary classics, stories for children, comedic material, and instructional recordings. The Grammy for Best Spoken Word Album has been awarded annually since 1959.
Spoken word in the context of Hip-hop theater
Hip-hop theater is a form of theater that presents contemporary stories through the use of one or more of the four elements of hip-hop culture—b-boying, graffiti writing, MCing (rapping), and DJing. Other cultural markers of hip-hop such as spoken word, beatboxing, and hip-hop dance can be included as well although they are not always present. What is most important is the language of the theatrical piece and the plot's relevance to the world. Danny Hoch, the founder of the Hip-Hop Theater Festival, further defines it as such: "Hip-hop theatre must fit into the realm of theatrical performance, and it must be by, about and for the hip-hop generation, participants in hip-hop culture, or both."
Hip-hop theater productions appear in a wide range of platforms including single performances, week-long festivals, and traveling repertory companies. Board Chair Of the historic Philadelphia Freedom Theater and producing Director Of The Devon Theater Of Mayfair Karl Dice Raw Jenkins is the leader in hiphop theater with multiple of Grammy nominations as a singer producer and Playwright, The Last Jimmy [The kümmel, Freedom Theater, Adrienne Arsht & La Grand performances have all presented Karl. Karl's other works include Box A Hiphop Musical telling the life of enslaved African American Henry Box Brown. The King Of Love and more. Marc Bamuthi Joseph is a spoken word poet and dancer who has been commissioned several times to create and direct single hip-hop theater works. British choreographer Jonzi D is the artistic director of the London-based Breakin' Convention, a week long hip-hop theater festival. Rennie Harris, Mourad Merzouki, Kwesi Johnson and Victor Quijada are artistic directors who run hip-hop theater companies in the U.S., France, UK and Canada respectively. The Rock Steady Crew, Magnificent Force, and the Rhythm Technicians pioneered this theatrical genre which started in the United States.