Spanish Baroque literature in the context of "Neostoicism"

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⭐ Core Definition: Spanish Baroque literature

Spanish Baroque literature is the literature written in Spain during the Baroque, which occurred during the 17th century in which prose writers such as Baltasar Gracián and Francisco de Quevedo, playwrights such as Lope de Vega, Tirso de Molina, Calderón de la Barca and Juan Ruiz de Alarcón, or the poetic production of the aforementioned Francisco de Quevedo, Lope de Vega and Luis de Góngora reached their zenith. Spanish Baroque literature is a period of writing which begins approximately with the first works of Luis de Góngora and Lope de Vega, in the 1580s, and continues into the late 17th century.

The fundamental characteristics of Spanish Baroque literature are the progressive complexity in formal resources and a theme centered on the concern for the passage of time and the loss of confidence in the Neoplatonic ideals of the Renaissance. Likewise, the variety and diversity in the subjects dealt with, the attention to detail and the desire to attract a wide audience, of which the rise of the Lope de Vega comedies are an example. From the dominant sensual concern in the 16th century, there was an emphasis on moral values and didactics, where two currents converge: Neostoicism and Neoepicureism. El Criticón from Baltasar Gracián is a point of arrival in the baroque reflection on man and the world, the awareness of disappointment, a vital pessimism and a general crisis of values.

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Spanish Baroque literature in the context of Lope de Vega

Félix Lope de Vega y Carpio (/dəˈvɡə/; 25 November 1562 – 27 August 1635) was a Spanish playwright, poet, and novelist who was a key figure in the Spanish Golden Age (1492–1659) of Baroque literature. In the literature of Spain, Lope de Vega is often considered second only to Miguel de Cervantes. Cervantes said that Lope de Vega was “The Phoenix of Wits” (Fénix de los ingenios) and “Monster of Nature” (Monstruo de naturaleza).

Lope de Vega renewed the literary life of Spanish theatre when it became mass culture, and with the playwrights Pedro Calderón de la Barca and Tirso de Molina defined the characteristics of Spanish Baroque theatre with great insight into the human condition. The literary production of Lope de Vega includes 3,000 sonnets, three novels, four novellas, nine epic poems, and approximately 500 stageplays.

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Spanish Baroque literature in the context of Pedro Calderón de la Barca

Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (17 January 1600 – 25 May 1681) (UK: /ˌkældəˈrɒn ˌd læ ˈbɑːrkə/, US: /ˌkɑːldəˈrn ˌd lə -, - ˌdɛ lə -/; Spanish: [ˈpeðɾo kaldeˈɾon de la ˈβaɾka]) was a Spanish dramatist, poet, and writer. He is known as one of the most distinguished poets and writers of the Spanish Golden Age, especially for the many verse dramas he wrote for the theatre. Calderón has been termed "the Spanish Shakespeare", the national poet of Spain, and one of the greatest poets and playwrights in the history of world literature.

Calderón de la Barca was born into the minor Spanish nobility in Madrid, where he lived for most of his life. He served as soldier and a knight of the military and religious Order of Santiago, but later became a Roman Catholic priest. His theatrical debut was a history play about the life of King Edward III of England, was first performed on 29 June 1623 at the Royal Alcázar of Madrid, during the surprise visit to Spain of Charles, Prince of Wales to negotiate for a dynastic marriage alliance with the Spanish Habsburgs.

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Spanish Baroque literature in the context of Tirso de Molina

Gabriel Téllez, O. de M. (24 March 1583 – 20 February 1648), also known as Tirso de Molina, was a Spanish Baroque dramatist and poet, as well as a Mercedarian friar, and Catholic priest. He is primarily known for writing The Trickster of Seville and the Stone Guest, the play from which the character Don Juan originates. His work also includes female protagonists and the exploration of sexual issues.

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Spanish Baroque literature in the context of Luis de Góngora

Luis de Góngora y Argote (born Luis de Argote y Góngora; Spanish: [lwis ðe ˈɣoŋɡoɾa]; 11 July 1561 – 24 May 1627) was a Spanish Baroque lyric poet and a Catholic prebendary for the Church of Córdoba. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called culteranismo, also known as Gongorismo. This style apparently existed in stark contrast to Quevedo's conceptismo, though Quevedo was highly influenced by his older rival from whom he may have isolated "conceptismo" elements.

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Spanish Baroque literature in the context of Baltasar Gracián

Baltasar Gracián y Morales S.J. (Spanish: [baltaˈsaɾ ɣɾaˈθjan]; 8 January 1601 – 6 December 1658), better known as Baltasar Gracián, was a Spanish Jesuit priest and Baroque prose writer and philosopher. He was born in Belmonte, near Calatayud (Aragón). His writings were lauded by Schopenhauer and Nietzsche.He is best known for his book The Art of Worldly Wisdom (1647), but his novel El Criticón (1651-57) is considered his greatest work.

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