Hellenistic Age

⭐ In the context of the Hellenistic Age, what fundamentally distinguishes Hellenistic culture from its Hellenic predecessor?




⭐ Core Definition: Hellenistic Age

In classical antiquity, the Hellenistic period covers the time in Greek, Eastern Mediterranean, and West Asian (or Middle Eastern) history following Classical Greece, between the death of Alexander the Great in 323 BC and the death of Cleopatra VII in 30 BC, in which these regions were under the influence of Greek leadership, culture, and language. The Hellenistic period was followed by the ascendancy of the Roman Empire, the Battle of Actium in 31 BC, and the Roman conquest of Ptolemaic Egypt the following year, which eliminated the last major Hellenistic kingdom. Its name stems from the Ancient Greek word Hellas (Ἑλλάς, Hellás), which was gradually recognized as the name for Greece, from which the modern historiographical term Hellenistic was derived. The term "Hellenistic" is to be distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all the ancient territories of the period that had come under significant Greek influence, particularly the Hellenized Ancient Near East, after the conquests of Alexander the Great.

After the Macedonian conquest of the Achaemenid Empire in 330 BC and its disintegration shortly thereafter in the Partition of Babylon and subsequent Wars of the Diadochi, Hellenistic kingdoms were established throughout West Asia (Seleucid Empire, Kingdom of Pergamon), Northeast Africa (Ptolemaic Kingdom) and South Asia (Greco-Bactrian Kingdom, Indo-Greek Kingdom). This resulted in an influx of Greek colonists and the export of Greek culture and language to these new realms, a breadth spanning as far as modern-day India. These new Greek kingdoms were also influenced by regional indigenous cultures, adopting local practices which were deemed beneficial, necessary, or convenient. Hellenistic culture thus represents a fusion of the ancient Greek world with that of the Western Asian, Northeastern African, and Southwestern Asian worlds. The consequence of this mixture gave rise to a common Attic-based Greek dialect, known as Koine Greek, which became the lingua franca throughout the ancient world.

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In this Dossier

Hellenistic Age in the context of Euripides

Euripides (/jʊəˈrɪpɪdz/; Ancient Greek: Eὐριπίδης, romanizedEurīpídēs, pronounced [eu̯.riː.pí.dɛːs]; c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three authors of Greek tragedy for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Nineteen plays attributed to Euripides have survived more or less complete, although one of these (Rhesus) is often considered not to be genuinely his work. Many fragments (some of them substantial) survive from most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined: he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.

Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He was referred to by Aristotle as "the most tragic of poets", probably in reference to a perceived preference for unhappy endings, but Aristotle's remark is seen by Bernard Knox as having wider relevance, since "in his representation of human suffering Euripides pushes to the limits of what an audience can stand; some of his scenes are almost unbearable." Focusing on the inner lives and motives of his characters in a way previously unknown, Euripides was "the creator of ... that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.

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Hellenistic Age in the context of Ptolemy IV

Ptolemy IV Philopator (Greek: Πτολεμαῖος Φιλοπάτωρ, romanizedPtolemaĩos Philopátōr; "Ptolemy, lover of his Father"; May/June 244 – July/August 204 BC) was the fourth pharaoh of Ptolemaic Egypt from 221 to 204 BC.

Ptolemy IV was the son of Ptolemy III and Berenice II. His succession to the throne was accompanied by a wide-ranging purge of the Ptolemaic royal family, which left control of the realm's government largely in the hands of his courtiers Sosibius and Agathocles. His reign was marked by the Fourth Syrian War (219–217 BC) with the Seleucid empire, which culminated in a decisive Ptolemaic victory at the Battle of Raphia, one of the largest battles of the whole Hellenistic Age. In the final years of his rule, control over the southern portion of the country was lost to the rebel pharaoh Hugronaphor. Ptolemy IV died in mysterious circumstances in 204 BC and was succeeded by his young son Ptolemy V Epiphanes under the regency of Sosibius and Agathocles.

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