Sound film in the context of "The Jazz Singer"

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⭐ Core Definition: Sound film

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences) was The Jazz Singer, which premiered on October 6, 1927. A major hit, it was made with Vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures.

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Sound film in the context of Motion picture

A film is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and some times using other sensory stimulations.

Films are produced by recording actual people and objects with cameras or by creating them using animation techniques and special effects. They comprise a series of individual frames, but when these images are shown rapidly in succession, the illusion of motion is given to the viewer. Flickering between frames is not seen due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Also of relevance is what causes the perception of motion; a psychological effect identified as beta movement.

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Sound film in the context of Soundtrack

A soundtrack is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound.

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track, and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the foreign distributor in the native language of its territory.

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Sound film in the context of Western film

The Western is a film genre defined by the American Film Institute as films which are "set in the American West that [embody] the spirit, the struggle, and the demise of the new frontier." Generally set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, the genre also includes many examples of stories set in locations outside the frontier – including Northern Mexico, the Northwestern United States, Alaska, and Western Canada – as well as stories that take place before 1849 and after 1890. Western films comprise part of the larger Western genre, which encompasses literature, music, television, and plastic arts.

Western films derive from the Wild West shows that began in the 1870s. Originally referred to as "Wild West dramas", the shortened term "Western" came to describe the genre. Although other Western films were made earlier, The Great Train Robbery (1903) is often considered to mark the beginning of the genre. Westerns were a major genre during the silent era (1894–1929) and continued to grow in popularity during the sound era (post–1929).

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Sound film in the context of Sound-on-film

Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.

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Sound film in the context of Steamboat Willie

Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black-and-white by the Walt Disney Studio and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the public debut of Mickey Mouse and Minnie Mouse, although both appeared months earlier in a test screening of Plane Crazy and the then unreleased The Gallopin' Gaucho. Steamboat Willie is the third of Mickey's films to have been produced, but it is the first to have been distributed, because Disney had seen The Jazz Singer (1927) and became determined to produce one of the first fully synchronized sound cartoons.

Steamboat Willie is one of the first cartoons with synchronized sound, and one of the first cartoons to feature a fully post-produced soundtrack, which distinguished it from earlier sound cartoons, such as Inkwell Studios's Song Car-Tunes (1924–1926), My Old Kentucky Home (1926), and Van Beuren Studios's Dinner Time (1928). Disney believed that synchronized sound was the future of film.

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Sound film in the context of Golden age of American animation

The golden age of American animation was a period that began with the popularization of sound synchronized cartoons in 1928, and gradually ended throughout in the early-1960s when theatrical animated cartoon film shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between in the late-1950s and in the mid-1980s.

Multiple highly-popular animated cartoon characters emerged from this period, including:

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