Song Dynasty in the context of Great Khan


Song Dynasty in the context of Great Khan

Song Dynasty Study page number 1 of 1

Play TriviaQuestions Online!

or

Skip to study material about Song Dynasty in the context of "Great Khan"


⭐ Core Definition: Song Dynasty

The Song dynasty (/sʊŋ/ SUUNG) was an imperial dynasty of China that ruled from 960 to 1279. The dynasty was founded by Emperor Taizu of Song, who usurped the throne of the Later Zhou dynasty and went on to conquer the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China following attacks by the Jin dynasty, the Song was eventually conquered by the Mongol-led Yuan dynasty.

The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprised the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty.

↓ Menu
HINT:

In this Dossier

Song Dynasty in the context of Liangjiahe

Liangjiahe is a village located in Wen'anyi Town, Yanchuan County, Yan'an City, Shaanxi Province, China. It is 5 kilometers southeast of Wenanyi Town. It was named after the Liang family who lived along the river in the Northern Song Dynasty. According to statistics in November 2015, after merging three villages, the village has 7 villager groups and 1,187 villagers.

On June 6, 2019, Liangjiahe Village was included in the fifth batch of China's traditional villages by the Ministry of Housing and Urban-Rural Development.

View the full Wikipedia page for Liangjiahe
↑ Return to Menu

Song Dynasty in the context of Cheng Yi (philosopher)

Cheng Yi (1033–1107), also known by various other names and romanizations, was a Chinese classicist, essayist, philosopher, and politician of the Song Dynasty. He worked with his older brother Cheng Hao. Like his brother, he was a student of Zhou Dunyi, a friend of Shao Yong, and a nephew of Zhang Zai. The five of them, along with Sima Guang, are called the Six Great Masters by his follower Zhu Xi. He became a prominent figure in neo-Confucianism, and the philosophy of Cheng Yi, Cheng Hao and Zhu Xi is referred to as the Cheng–Zhu school or the Rationalistic School.

View the full Wikipedia page for Cheng Yi (philosopher)
↑ Return to Menu

Song Dynasty in the context of Taijitu

In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (; ) representing taiji (太極; tàijí; 'utmost extreme') in both its monist (wuji) and its dualist (yin and yang) forms. A taijitu in application provides a deductive and inductive theoretical model. Such a diagram was first introduced by Neo-Confucian philosopher Zhou Dunyi of the Song Dynasty in his Taijitu shuo (太極圖說).

The Fourth Daozang, a Taoist canon compiled in the 1440s CE during the Ming dynasty,has at least half a dozen variants of the taijitu. The two most similar are the Taiji Xiantiandao and wujitu (無極圖; wújítú) diagrams, both of which have been extensively studied since the Qing period for their possible connection with Zhou Dunyi's taijitu.

View the full Wikipedia page for Taijitu
↑ Return to Menu

Song Dynasty in the context of Camellia japonica

Camellia japonica, known as common camellia, or Japanese camellia, is a species of flowering plant from the genus Camellia in the tea family Theaceae. It is native to China and Japan, and grows naturally in forests at altitudes of around 300–1,100 metres (980–3,600 ft).

There are thousands of cultivars of C. japonica, with many colors and forms of flowers, mainly as garden ornamental plants. The floriculture of Camellia japonica started in China. Its widespread cultivation can be traced back to the Song Dynasty, when 15 varieties of Camellia japonica were recorded in literature.

View the full Wikipedia page for Camellia japonica
↑ Return to Menu

Song Dynasty in the context of Jiaozi (currency)

Jiaozi (Chinese: 交子) was a form of promissory note which appeared around the 11th century in the Sichuan capital of Chengdu, China. Numismatists regard it as the first paper money in history, a development of the Chinese Song Dynasty (960–1279 CE). Early Jiaozi notes did not have standard denominations but were denominated according to the needs of the purchaser and ranged from 500 wén to 5 guàn. The government office that issued these notes or the Jiaozi wu (Chinese: 交子務) demanded a payment or exchange fee (Chinese: 紙墨費) of 30 wén per guàn exchanged from coins to banknote. The Jiaozi were usually issued biannually.

In the region of Liang-Huai (Chinese: 兩淮) these banknotes were referred to as Huaijiao (淮交) and were introduced in 1136. Still, their circulation stopped quickly after their introduction. Generally the lower the denominations of the Jiaozi the more popular they became, and as the government was initially unable to regulate their production properly, their existence eventually led to undesirably high inflation rate.

View the full Wikipedia page for Jiaozi (currency)
↑ Return to Menu

Song Dynasty in the context of Three laughs at Tiger Brook

Three laughs at Tiger Brook (Chinese: 虎溪三笑; pinyin: hǔ xī sān xiào; Gan: fû ki sam siēu) is a Chinese proverb which refers to the image that the three men, Huiyuan, Tao Yuanming and Lu Xiujing laugh together when arriving at Huxi (虎溪, Tiger Brook) of Mount Lu. This concept represents the ideal harmonious relations of Confucianism, Taoism and Buddhism in ancient China.

View the full Wikipedia page for Three laughs at Tiger Brook
↑ Return to Menu

Song Dynasty in the context of Mongol invasions of Korea

A series of campaigns were conducted between 1231 and 1270 by the Mongol Empire against the Korean kingdom of Goryeo. The last campaign concluded with a peace treaty with Goryeo becoming a vassal state of the Yuan dynasty, a relationship that lasted for approximately 80 years. A greater amount of "stubborn resistance" was put up by Korea and the Song Dynasty of China towards the Mongol invasions than many others in Eurasia who were swiftly crushed by the Mongols at a lightning pace.

The Yuan dynasty extracted wealth and tributes from the Goryeo kings. Despite their submission to the Yuan dynasty, internal conflicts among Goryeo's royalty and rebellions against Yuan rule continued, with the most notable being the Sambyeolcho Rebellion.

View the full Wikipedia page for Mongol invasions of Korea
↑ Return to Menu

Song Dynasty in the context of Five Temple Caves

The Five Temple Caves (simplified Chinese: 五个庙石窟; traditional Chinese: 五個廟石窟; pinyin: Wǔgèmiào shíkū) is a series of rock cut Buddhist caves in Subei Mongol Autonomous County, Gansu, northwest China. The complex once numbered twenty-two caves but over the centuries the number was reduced to five, of which four remain today, in a gorge on the left bank of the Danghe River (党河). On the basis of their structure and iconography, one of the caves is dated to the Northern Wei, the other three to the Five Dynasties and Song. The complex lies some 80 kilometres (50 mi) to the south of the Mogao Caves, and together with these, the Western Thousand Buddha Caves, Eastern Thousand Buddha Caves, and Yulin Caves, is one of the five grotto sites in the vicinity of Dunhuang managed by the Dunhuang Academy. In 2013, in recognition of their significance to China, the Five Temple Caves were designated by SACH a Major Historical and Cultural Site Protected at the National Level.

View the full Wikipedia page for Five Temple Caves
↑ Return to Menu

Song Dynasty in the context of Dongpo pork

Dongpo pork (simplified Chinese: 东坡肉; traditional Chinese: 東坡肉; pinyin: dōngpōròu), also known as Dongpo meat, is a Hangzhou dish made by pan-frying and then red-cooking pork belly. The pork is typically cut into thick, approximately 5 centimeter (2.0 inch) squares, with an even distribution of fat and lean meat, whilst retaining the skin. The texture is tender and juicy without being excessively greasy, accompanied by a fragrant aroma of wine. The dish is named in honor of Su Dongpo (Su Shi), a distinguished Song Dynasty poet and gastronome.

View the full Wikipedia page for Dongpo pork
↑ Return to Menu

Song Dynasty in the context of Bao Zheng

Bao Zheng (包拯; Bāo Zhěng; 5 March 999 – 3 July 1062), commonly known as Bao Gong (包公; Bāo Gōng; 'Lord Bao'), was a Chinese politician during the reign of Emperor Renzong in China's Song Dynasty. During his twenty-five years in civil service, Bao was known for his honesty and uprightness, with actions such as impeaching an uncle of Emperor Renzong's favourite concubine and punishing powerful families. His appointment from 1057 to 1058 as the prefect of Song's capital Kaifeng, where he initiated a number of changes to better hear the grievances of the people, made him a legendary figure. During his years in office, he gained the honorific title Justice Bao (Chinese: 包青天; pinyin: Bāo qīngtiān) due to his ability to defend peasants and commoners against corruption or injustice. Bao Zheng is depicted as the incarnation of the Astral God of Civil Arts (Wenquxing, 文曲星), while famous Northern Song warrior Di Qing is depicted as the Astral God of Military Arts (Wuquxing, 武曲星).

Bao Zheng today is honored as the cultural symbol of justice in Chinese society. His largely fictionalized gong'an and wuxia stories have appeared in a variety of different literary and dramatic mediums (beginning with The Seven Heroes and Five Gallants), and have enjoyed sustained popularity. In mainstream Chinese mythology, he is often portrayed wearing a judge's zhanjiao futou hat and a crescent moon on his forehead. Some Chinese provinces later deified Judge Bao, equating him to the benevolent war god Guan Gong.

View the full Wikipedia page for Bao Zheng
↑ Return to Menu

Song Dynasty in the context of Empress Wang (Huizong)

Empress Wang (1084–1108) was a Chinese empress consort of the Song Dynasty, married to Emperor Huizong of Song.

Wang came from the capital, and her father served as prefect. She was selected to be the primary consort of Prince Huizeng by his legal mother Dowager Empress Xiang in 1099. After the wedding, the Empress Dowager gave two concubines, Consort Zheng and Consort Wang, to prince Huizeng. When Huizeng succeeded his brother as emperor in 1100, Wang became his empress.

View the full Wikipedia page for Empress Wang (Huizong)
↑ Return to Menu