Soffit in the context of Arch


Soffit in the context of Arch

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⭐ Core Definition: Soffit

A soffit is an exterior architectural feature, generally the horizontal, aloft underside of the roof edge. Its archetypal form, sometimes incorporating or implying the projection of rafters or trusses over the exterior of supporting walls, is the underside of eaves (to connect a supporting wall to projecting edge(s) of the roof). The vertical band at the edge of the roof is called a fascia. A soffit of an arch is frequently called an intrados.

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Soffit in the context of Doric order

The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.

The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric temples. In stone they are purely ornamental.

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Soffit in the context of Barrel vault

A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof.

As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where several vaulted naves ran parallel down the length of the building. However, the outer walls of the outermost vault would still have to be quite strong or reinforced by buttressing. The third and most elegant mechanism to resist the lateral thrust was to create an intersection of two barrel vaults at right angles, thus forming a groin vault.

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Soffit in the context of Perpendicular Gothic

Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.

The pointed arches used in Perpendicular were often four-centred arches, allowing them to be rather wider and flatter than in other Gothic styles. Perpendicular tracery is characterized by mullions that rise vertically as far as the soffit of the window, with horizontal transoms frequently decorated with miniature crenellations. Blind panels covering the walls continued the strong straight lines of verticals and horizontals established by the tracery. Together with flattened arches and roofs, crenellations, hood mouldings, lierne vaulting, and fan vaulting were the typical stylistic features.

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Soffit in the context of Coffered ceiling

A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called caissons ("boxes"), or lacunaria ("spaces, openings"), so that a coffered ceiling can be called a lacunar ceiling: the strength of the structure is in the framework of the coffers.

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Soffit in the context of Geison

Geison (Ancient Greek: γεῖσον – often interchangeable with somewhat broader term cornice) is an architectural term of relevance particularly to ancient Greek and Roman buildings, as well as archaeological publications of the same. The geison is the part of the entablature that projects outward from the top of the frieze in the Doric order and from the top of the frieze course (or sometimes architrave) of the Ionic and Corinthian orders; it forms the outer edge of the roof on the sides of a structure with a sloped roof. The upper edge of the exterior often had a drip edge formed as a hawksbeak molding to shed water; there were also typically elaborate moldings or other decorative elements, sometimes painted. Above the geison ran the sima. The underside of the geison may be referred to as a soffit. The form of a geison (particularly the Hawksbeak molding of the outer edge) is often used as one element of the argument for the chronology of its building.

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Soffit in the context of Fascia (architecture)

Fascia (/ˈfʃə/) is an architectural term for a vertical frieze or band under a roof edge, or which forms the outer surface of a cornice, visible to an observer.

Typically consisting of a wooden board, unplasticized PVC (uPVC), or non-corrosive sheet metal, many of the non-domestic fascias made of stone form an ornately carved or pieced together cornice, in which case the term fascia is rarely used.

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