Smithsonian American Art Museum in the context of "Vaquero"

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⭐ Core Definition: Smithsonian American Art Museum

The Smithsonian American Art Museum (SAAM; formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art made in the United States from the colonial period to the present. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building (which is shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery.

The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, the museum has maintained a traveling exhibition program; as of 2013, more than 2.5 million visitors have seen the exhibitions.

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👉 Smithsonian American Art Museum in the context of Vaquero

The vaquero (Spanish: [baˈkeɾo]; Portuguese: vaqueiro, European Portuguese: [vɐˈkɐjɾu]) is a horse-mounted livestock herder of a tradition that has its roots in the Iberian Peninsula and extensively developed in what is today Mexico (then New Spain) from a method brought to the Americas from Spain. The vaquero became the foundation for the North American cowboy, in Northern Mexico, Southwestern United States, Florida and Western Canada.

The cowboys of the Great Basin still use the term "buckaroo", which may be a corruption of vaquero, to describe themselves and their tradition. Many in Llano Estacado and along the southern Rio Grande prefer the term vaquero, while the indigenous and Hispanic communities in the age-old Nuevo México and New Mexico Territory regions use the term caballero. Vaquero heritage remains in the culture of Mexico (Especially in Northern Mexico), along with the Californio (California), Neomexicano (New Mexico), Tejano (Texas), Central, and South America, as well as other places where there are related traditions.

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Smithsonian American Art Museum in the context of Ferdinand Pettrich

Friedrich August Ferdinand Pettrich (1798 – 14 February 1872) was a German sculptor active in Germany, Brazil, the United States, and Italy. He was an internationally famous portrait sculptor who created busts of political figures in Washington D.C. as well as Native Americans such as Tecumseh. In the early 1840s he moved to Brazil to become the Court Sculptor to Emperor Dom Pedro II.

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Smithsonian American Art Museum in the context of Tejano

Tejanos (/tˈhɑːnz/ tay-HAH-nohz, Spanish: [teˈxanos]) are descendants of mostly Native Americans, but also Texas Creoles and Mestizos who settled in Texas before its admission as an American state. The term is also sometimes applied to Texans of Mexican descent.

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Smithsonian American Art Museum in the context of Buffalo Bull's Back Fat

Buffalo Bull's Back Fat, or Stu-mick-o-súcks (Blackfoot: ᔈᒣᒍᖾᓭᖽᐧ, romanized: Stamikosáksi), was a head war chief of the Kainai Nation. He is remembered today for his portrait, painted by George Catlin in 1832, located at the Smithsonian American Art Museum.

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Smithsonian American Art Museum in the context of National Portrait Gallery (United States)

The National Portrait Gallery (NPG) is an art museum in Washington, D.C., United States. Founded in 1962 and opened in 1968, it is part of the Smithsonian Institution. Its collections focus on images of American artists, politicians, scientists, inventors, activists, and performers who have contributed to the nation's history, development, and culture. Along with the Smithsonian American Art Museum, the museum is housed in the historic Old Patent Office Building.

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Smithsonian American Art Museum in the context of Statue of George Washington (Smithsonian American Art Museum)

Washington Resigning His Commission is a life-size plaster statue of General George Washington by the sculptor Ferdinand Pettrich created around 1841. It depicts George Washington's resignation as commander-in-chief of the Continental Army and is on display at the Smithsonian American Art Museum in Washington, D.C..

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Smithsonian American Art Museum in the context of Henry Siddons Mowbray

Henry Siddons Mowbray (August 5, 1858 – 1928) was an American artist. He executed various painting commissions for J.P. Morgan, F.W. Vanderbilt, and other clients. He served as director of the American Academy in Rome from 1902 to 1904.

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