Simone de Beauvoir in the context of "Feminist theory"

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⭐ Core Definition: Simone de Beauvoir

Simone Lucie Ernestine Marie Bertrand de Beauvoir (UK: /də ˈbvwɑːr/, US: /də bˈvwɑːr/; French: [simɔn bovwaʁ] ; 9 January 1908 – 14 April 1986) was a French existentialist philosopher, writer, social theorist, and feminist activist. Though she did not consider herself a philosopher, nor was she considered one at the time of her death, she had a significant influence on both feminist existentialism and feminist theory.

Beauvoir wrote novels, essays, short stories, biographies, autobiographies, and monographs on philosophy, politics, and social issues. She was best known for her "trailblazing work in feminist philosophy", The Second Sex (1949), a detailed analysis of women's oppression and a foundational tract of contemporary feminism. She was also known for her novels, the most famous of which were She Came to Stay (1943) and The Mandarins (1954).

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Simone de Beauvoir in the context of Existentialism

Existentialism is a family of philosophical views and inquiry that explore the human individual's struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of existence. In examining meaning, purpose, and value, existentialist thought often includes concepts such as existential crises, angst, courage, and freedom.

Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the 19th-century figures now associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche, as well as novelist Fyodor Dostoevsky, all of whom critiqued rationalism and concerned themselves with the problem of meaning. The word existentialism, however, was not coined until the mid 20th century, during which it became most associated with contemporaneous philosophers Jean-Paul Sartre, Martin Heidegger, Simone de Beauvoir, Karl Jaspers, Gabriel Marcel, Paul Tillich, and more controversially Albert Camus.

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Simone de Beauvoir in the context of Jean-Paul Sartre

Jean-Paul Charles Aymard Sartre (/ˈsɑːrtrə/, US also /ˈsɑːrt/; French: [saʁtʁ]; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution."

Sartre had an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the cultural and social assumptions and expectations of their upbringings, which they considered bourgeois, in both lifestyles and thought. The conflict between oppressive, spiritually destructive conformity (mauvaise foi, literally, 'bad faith') and an "authentic" way of "being" became the dominant theme of Sartre's early work, a theme embodied in his principal philosophical work Being and Nothingness (L'Être et le Néant, 1943). Sartre provided an introduction to his philosophy in his work Existentialism Is a Humanism (L'existentialisme est un humanisme, 1946), originally presented as a lecture.

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Simone de Beauvoir in the context of Feminism in France

Feminism in France is the history of feminist thought and movements in France. Feminism in France can be roughly divided into three waves: First-wave feminism from the French Revolution through the Third Republic which was concerned chiefly with suffrage and civic rights for women. Significant contributions came from revolutionary movements of the French Revolution of 1848 and Paris Commune, culminating in 1944 when women gained the right to vote.

Second-wave feminism began in the 1940s as a reevaluation of women's role in society, reconciling the inferior treatment of women in society despite their ostensibly equal political status to men. Pioneered by theorists such as Simone de Beauvoir, second wave feminism was an important current within the social turmoil leading up to and following the May 1968 events in France. Political goals included the guarantee of increased bodily autonomy for women via increased access to abortion and birth control.

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Simone de Beauvoir in the context of Philosophical novel

Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy. It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development of knowledge, whether there exists free will, or any other topic of philosophical interest. Philosophical fiction includes the novel of ideas, which can also fall under the genre of science fiction, utopian and dystopian fiction, and bildungsroman.

There is no universally accepted definition of philosophical fiction, but a sampling of notable works can help to outline its history. For example, a Platonic dialogue could be considered philosophical fiction. Some modern philosophers have written novels, plays, or short fiction in order to demonstrate or introduce their ideas. Common examples include Voltaire, Fyodor Dostoevsky, Thomas Mann, Hermann Hesse, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir and Ayn Rand. Authors who admire certain philosophers may incorporate their ideas into the principal themes or central narratives of novels. Some examples include The Moviegoer (Walker Percy), Thus Spoke Zarathustra (Nietzsche), Wittgenstein's Mistress (David Markson), and Speedboat (post-structuralism).

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Simone de Beauvoir in the context of Maurice Merleau-Ponty

Maurice Jean Jacques Merleau-Ponty (/ˌmɜːrl ˈpɒnti/ MUR-loh PON-tee; French: [mɔʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art, politics, religion, biology, psychology, psychoanalysis, language, nature, and history. He was the lead editor of Les Temps modernes, the leftist magazine he established with Jean-Paul Sartre and Simone de Beauvoir in 1945.

At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in the human experience of the world. Merleau-Ponty understands perception to be an ongoing dialogue between one's lived body and the world which it perceives, in which perceivers passively and actively strive to express the perceived world in concert with others. He was the only major phenomenologist of the first half of the twentieth century to engage extensively with the sciences. It is through this engagement that his writings became influential in the project of naturalising phenomenology, in which phenomenologists use the results of psychology and cognitive science.

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Simone de Beauvoir in the context of Brigitte Bardot

Brigitte Anne-Marie Bardot (/ˈbrɪɪt bɑːrˈd/ BRIJ-it bar-DOH; French: [bʁiʒit baʁdo] ; born 28 September 1934), often referred to by her initials B.B., is a French former actress, singer, and model as well as an animal rights activist. Famous for portraying characters with hedonistic lives, she is one of the best known symbols of the sexual revolution. Although she withdrew from the entertainment industry in 1973, she remains a major pop culture icon. She has acted in 47 films, performed in several musicals, and recorded more than 60 songs. She was awarded the Legion of Honour in 1985.

Born and raised in Paris, Bardot was an aspiring ballerina during her childhood. She started her acting career in 1952 and achieved international recognition in 1957 for her role in And God Created Woman (1956), catching the attention of many French intellectuals and earning her the nickname "sex kitten". She was the subject of philosopher Simone de Beauvoir's 1959 essay The Lolita Syndrome, which described her as a "locomotive of women's history" and built upon existentialist themes to declare her the most liberated woman of France. She won a 1961 David di Donatello Best Foreign Actress Award for her work in The Truth (1960). Bardot later starred in Jean-Luc Godard's film Le Mépris (1963). For her role in Louis Malle's film Viva Maria! (1965), she was nominated for the BAFTA Award for Best Foreign Actress. French President Charles de Gaulle called Bardot "the French export as important as Renault cars".

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Simone de Beauvoir in the context of Coffee culture

Coffee culture is the set of traditions and social behaviors that surround the consumption of coffee, particularly as a social lubricant. The term also refers to the cultural diffusion and adoption of coffee as a widely consumed stimulant. In the late 20th century, espresso became an increasingly dominant drink contributing to coffee culture, particularly in the Western world and other urbanized centers around the globe. In the early 21st century, mobile coffee carts and pop-up espresso bars also became part of coffee culture, offering specialty drinks at markets, festivals and retail events.

The culture surrounding coffee and coffeehouses dates back to 16th-century Ottoman Turkey. Coffeehouses in Western Europe and the Eastern Mediterranean were not only social hubs but also artistic and intellectual centres. In the late 17th and 18th centuries, coffeehouses in London became popular meeting places for artists, writers, and socialites, as well as centres for political and commercial activity. In the 19th century, a special coffee house culture developed in Vienna, the Viennese coffee house, which then spread throughout Central Europe. Les Deux Magots in Paris, now a popular tourist attraction, was once associated with the intellectuals Jean-Paul Sartre and Simone de Beauvoir.

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