Silent movies in the context of "City Lights"

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⭐ Core Definition: Silent movies

A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.

The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to the invention of synchronized sound, but it also applies to such sound-era films as City Lights, Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue.

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Silent movies in the context of Pit orchestra

A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. In performances of operas and ballets, the pit orchestra is typically similar in size to a symphony orchestra, though it may contain smaller string and brass sections, depending upon the piece. Such orchestras may vary in size from approximately 30 musicians (early Baroque and Classical opera) to as many as 90–100 musicians (Wagnerian opera). However, because of financial, spatial, and volume concerns, current musical theatre pit orchestras are considerably smaller (20–30 musicians at most, including a maximum of around ten string players).

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Silent movies in the context of Arab cinema

Arab cinema or Arabic cinema (Arabic: السينما العربية, romanizedal-sīnemā al-ʿArabīyah) refers to the film industry of the Arab world. Most productions come from Egyptian cinema, and Cairo has been the capital of film industry in the Arab world since the early 20th century to the present day.

The first screening of a motion picture in Egypt occurred in Alexandria in 1896 by the French Lumière Brothers. The Egyptian industry developed from silent movies to talkies, with musicals being the bulk of the productions in the 1930s and 1940s. Of the first Arab-produced films was the 1923 Egyptian film Barsoum Looking for a Job, and Laila, released in Egypt in 1927, while the first Arabic speaking film was Awlad El-Zawat, also released in Egypt in 1932. Studio Misr, founded in 1935, was the first national studio of its kind in the Arab world. The period from the late 1940s to 1960s has been described as "the golden age of Arab cinema", as Arab actors from across the Middle East headed to stardom in Cairo. During this period, notable actors included Hind Rostom, Mahmoud el-Meliguy, Anwar Wagdi, Feyrouz and Soad Hosny. In the 1950s, Egypt's cinema industry was the world's third largest. In 1952, the Egyptian Catholic Center for Cinema Festival was founded to become the first annual film festival in the Arab World. In 1976, the Cairo International Film Festival was established, becoming the first International film festival to be held in the Arab world. Egypt has also contributed to the action genre with actors such as Youssef Mansour who became famous in the 1990s for his martial arts films.

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