Gothic Revival in the context of "Florence Cathedral"

⭐ In the context of Florence Cathedral, Gothic Revival is considered…

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⭐ Core Definition: Gothic Revival

Gothic Revival (also referred to as Victorian Gothic or Neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.

For some in England, the Gothic Revival movement had roots that were intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.

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👉 Gothic Revival in the context of Florence Cathedral

Florence Cathedral (Italian: Duomo di Firenze), formally the Cathedral of Saint Mary of the Flower (Italian: Cattedrale di Santa Maria del Fiore [katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre]), is the cathedral of the Catholic Archdiocese of Florence in Florence, Italy. Commenced in 1296 in the Gothic style to a design of Arnolfo di Cambio and completed by 1436 with a dome engineered by Filippo Brunelleschi, the basilica's exterior is faced with polychrome marble panels in various shades of green and pink, alternated by white, and features an elaborate 19th-century Gothic Revival western façade by Emilio De Fabris.

The cathedral complex, in Piazza del Duomo, includes the Florence Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of world's largest churches and its dome is still the largest masonry dome ever constructed. The cathedral is the mother church and seat of the Archdiocese of Florence, whose archbishop is Gherardo Gambelli.

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Gothic Revival in the context of Albert Memorial

The Albert Memorial is a Gothic Revival ciborium in Kensington Gardens, London, designed and dedicated to the memory of Prince Albert of Great Britain. Located directly north of the Royal Albert Hall, it was commissioned by Queen Victoria in memory of her husband, who died in 1861. Designed by Sir George Gilbert Scott, it takes the form of an ornate canopy or pavilion 176 feet (54 m) tall over the high altar of a church, sheltering a statue of the prince facing south. It took over ten years to complete, the £120,000 cost (the equivalent of about £15,000,000 in 2025) met by public subscription.

The memorial was opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially "seated" in 1876. It has been Grade I listed since 1970.

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Gothic Revival in the context of Karl Friedrich Schinkel

Karl Friedrich Schinkel (13 March 1781 – 9 October 1841) was a Prussian architect, city planner and painter who also designed furniture and stage sets. Schinkel was one of the greatest German architects, a nineteenth century design genius, and a leader in the International Neoclassical and Gothic Revival movements. His most famous buildings are found in and around Berlin, where he influenced the city's design and landscape profoundly. Schinkel's Bauakademie is considered one of the forerunners of modern architecture. His Altes Museum is one of the most important classical buildings in Europe and a model for future national art museums throughout the world.

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Gothic Revival in the context of San Thome

13°2′1″N 80°16′40″E / 13.03361°N 80.27778°E / 13.03361; 80.27778

San Thome Church, officially known as the National Shrine of St. Thomas Cathedral Basilica, is a church of the Catholic Church in India, at the Santhome neighbourhood of Chennai, in Tamil Nadu. It is the cathedral of the Archdiocese of Madras-Mylapore, and a minor basilica dedicated to Saint Thomas the Apostle. The present structure dates back to 1523 AD, when it was built by the Portuguese over the tomb of Thomas. In 1896, it was renovated in the Madras province according to neo-Gothic designs, as was favoured by British architects in the late 19th century. On April 1, 1896, it was solemnly consecrated by Bishop Reed da Silva of Madras, assisted by the Bishop of Dhaka, Peter Joseph Hurth.

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Gothic Revival in the context of Pulpit

A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin pulpitum (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, tester or abat-voix above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon.

The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some chapels a second pulpit was built opposite the main one for lay exhortations, testimonies and other speeches. Many churches have a second, smaller stand called the lectern located in the Epistle side, which can be used by lay persons, and is often used for other Scripture lessons and ordinary announcements. The traditional Catholic location of the pulpit to the left side of the chancel or nave has been generally retained by Lutherans and many Anglicans, while in Presbyterian and Baptist churches the pulpit is located in the centre behind the communion table. Many modern Roman Catholic churches have an ambo that functions as both a pulpit and lectern.

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Gothic Revival in the context of Medievalism

Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture. Since the 17th century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism, the Gothic Revival, the Pre-Raphaelite and Arts and Crafts movements, and neo-medievalism (a term often used interchangeably with medievalism). Historians have attempted to conceptualize the history of non-European countries in terms of medievalisms, but the approach has been controversial among scholars of Latin America, Africa, and Asia.

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Gothic Revival in the context of Sterling Memorial Library

Sterling Memorial Library (SML) is the main library building of the Yale University Library system in New Haven, Connecticut, United States. Opened in 1931, the library was designed by James Gamble Rogers as the centerpiece of Yale's Gothic Revival campus. The library's tower has sixteen levels of bookstacks containing over 4 million volumes. Several special collections—including the university's Manuscripts & Archives—are also housed in the building. It connects via tunnel to the underground Bass Library, which holds an additional 150,000 volumes.

The library is named for John W. Sterling, a lawyer representing Standard Oil, whose huge bequest to Yale required that an "enduring, useful and architecturally beautiful edifice" be built. Sterling Library is elaborately ornamented, featuring extensive sculpture and painting as well as hundreds of panes of stained glass created by G. Owen Bonawit. In addition to the book tower, Rogers' design featured five large reading rooms and two courtyards, one of which is now a music library.

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Gothic Revival in the context of Horace Walpole

Horatio Walpole, 4th Earl of Orford (/ˈwɔːlpl/; 24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English Whig politician, writer, historian and antiquarian.

He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic style some decades before his Victorian successors. His literary reputation rests on the first Gothic novel, The Castle of Otranto (1764), and his Letters, which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published.

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