Shiva in the context of "Shakti"

A goddess is a female deity. In some faiths, a sacred female figure holds a central place in religious prayer and worship. For example, Shaktism (one of the three major Hindu sects), holds that the ultimate deity, the source of all reality, is Supreme Goddess (Mahaiia) and in some forms of Tantric Shaivism, the pair of Shiva and Shakti are the ultimate principle (with the goddess representing the active, creative power of God). Meanwhile, in Vajrayana Buddhism, ultimate reality is often seen as being composed of two principles depicted as two deities in union (yab yum, "father-mother") symbolising the non-duality of the two principles of perfect wisdom (female) and skillful compassion (male). A single figure in a monotheistic faith that is female may be identified simply as god because of no need to differentiate by gender or with a diminutive. An experiment to determine the effect of psychedelics on subjects composed of leaders from diverse religious groups revealed a general experience that the divine the subjects encountered was feminine.

Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods, and usually view them as discrete, separate beings. These deities may be part of a pantheon, or different regions may have tutelary deities. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, devilish, or neuter gods.

An abugida (/ˌɑːbuːˈɡiːdə, ˌæb-/ ; from Geʽez: አቡጊዳ, 'äbugīda)—sometimes also called an alphasyllabary, neosyllabary, or pseudo-alphabet—is a segmental writing system in which consonant–vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary, like a diacritical mark. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional. In less formal contexts, all three types of script may be termed "alphabets". The terms also contrast them with a syllabary, in which a single symbol denotes the combination of a consonant and a vowel.

Related concepts were introduced independently in 1948 by James Germain Février (using the term néosyllabisme) and David Diringer (using the term semisyllabary), and in 1959 by Fred Householder (introducing the term pseudo-alphabet). The Ethiopic term "abugida" was chosen as a designation for the concept in 1990 by Peter T. Daniels. Faber suggested "segmentally coded syllabically linear phonographic script"; William O. Bright used the term alphasyllabary; and Gnanadesikan and Rimzhim, Katz, & Fowler suggested aksara or āksharik.

Surya (/ˈsuːriə/ SOO-ree-ə; Sanskrit: सूर्य, IAST: Sūrya) is the Sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Throughout Indian literature, Surya has been given multiple epitaphs such as Ravi, Vaivasvat, Bhāskara, etc. Furthermore, Surya has been described through aspects of itself which are identified as the Ādityas; including Savitr, Pushan, Mārtanda, Bhaga, etc.

The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya is also regarded as the father of Sugriva and Karna, who play important roles in the two Hindu epics—the Ramayana and the Mahabharata, respectively. Surya was a primary deity in veneration by the characters of the Mahabharata and Ramayana.

Ravana (Sanskrit: रावण, romanized: Rāvaṇa, lit. 'roaring') is the principal antagonist of the ancient Hindu epic Ramayana and its several other versions. He is traditionally depicted as a ten-headed rakshasa (demon) king of Lanka. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana text Laṅkāvatāra Sūtra, in Buddhist Jatakas, as well as in Jain Ramayanas. In Vaishnava scriptures, he is depicted as one of Vishnu's cursed doorkeepers.

Palm-leaf manuscripts are manuscripts made out of dried palm leaves. Palm leaves were used as writing material in the Indian subcontinent, dating back to as early as the 5th century BCE. Their use began in India and spread to other regions, such as Sri Lanka and Southeast Asia, in the form of dried and smoke-treated Palmyra or talipot palm leaves.Their use continued until the 19th century when the printing press replaced hand-written manuscripts.

One of the oldest surviving complete palm leaf manuscripts is a Sanskrit Shaivism text from the 9th century, discovered in Nepal, and now preserved at the Cambridge University Library. The Spitzer Manuscript is a collection of palm leaf fragments found in Kizil Caves, China. They are dated to around the 2nd century CE and is in Buddhist hybrid Sanskrit.

A crescent shape (/ˈkrɛsənt/, UK also /ˈkrɛzənt/) is a symbol or emblem used to represent the lunar phase (as it appears in the northern hemisphere) in the first quarter (the "sickle moon"), or by extension a symbol representing the Moon itself.

In Hindu iconography, Shiva is often shown wearing a crescent moon on his head, symbolising his control over time, as well as his attributes of both creation and destruction.

In Hinduism, the conception of God varies in its diverse religio-philosophical traditions. Hinduism comprises a wide range of beliefs about God and divinity, such as henotheism, monotheism, polytheism, panentheism, pantheism, pandeism, monism, agnosticism, atheism, and nontheism.

Forms of theism find mention in the Bhagavad Gita. Emotional or loving devotion (bhakti) to a primary god such as avatars of Vishnu (Krishna for example), Shiva, and Devi (as emerged in the early medieval period) is now known as the Bhakti movement. Contemporary Hinduism can be categorized into four major theistic Hindu traditions: Vaishnavism, Shaivism, Shaktism, and Smartism. Vaishnavism, Shaivism, and Shaktism worship the Hindu deities Vishnu, Shiva, and Devi as the Supreme God respectively, or consider all Hindu deities as aspects of the same, Supreme Reality or the eternal and formless metaphysical Absolute, called Brahman in Hinduism, or, translated from Sanskrit terminology, Svayaṁ-Bhāgavan ("God Itself"). Other minor sects such as Ganapatya and Saura focus on the deities Ganesha or Surya as the Supreme.

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

Puranas (Sanskrit: पुराण, romanized: Purāṇa, lit. 'Ancients') are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Devi. The Puranic genre of literature is found in both Hinduism and Jainism.

The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, queens, heroes, heroines, sages, other gods, other goddesses, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, theology, philosophy, etc. The content is highly inconsistent across the Puranas, and each Purana has survived in numerous manuscripts which are themselves inconsistent. The Hindu Maha Puranas are traditionally attributed to Vyasa, but many scholars consider them likely the work of many authors over the centuries; in contrast, most Jaina Puranas can be dated and their authors assigned.

Yoga (UK: /ˈjəʊɡə/, US: /ˈjoʊɡə/; Sanskrit: योग 'yoga' [joːɡɐ] ; lit. 'yoke' or 'union') is a group of physical, mental, and spiritual practices or disciplines that originated with its own philosophy in ancient India, aimed at controlling body and mind to attain various soteriological goals (moksha), as practiced in the Hindu, Jain, Sikh, and Buddhist traditions.

Yoga may have pre-Vedic origins, but is first attested in the early first millennium BCE. It developed as various traditions in the eastern Ganges basin drew from a common body of practices, including Vedic elements. Yoga-like practices are mentioned in the Rigveda and a number of early Upanishads, but systematic yoga concepts emerge during the fifth and sixth centuries BCE in ancient India's ascetic and Śramaṇa movements, including Jainism and Buddhism. The Yoga Sutras of Patanjali, the classical text on Hindu yoga, samkhya-based but influenced by Buddhism, dates to the early centuries of the Common Era. Hatha yoga texts began to emerge between the ninth and 11th centuries, originating in tantra.