Shakespeare's reputation in the context of "Special effect"

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⭐ Core Definition: Shakespeare's reputation

In his own time, William Shakespeare (1564–1616) was rated as merely one among many talented playwrights and poets, but since the late 17th century has been considered the supreme playwright and poet of the English language.

Shakespeare's plays remain enormously popular across the world stage, with the plays often being drastically adapted in performance. During the 18th and 19th centuries, to be a star on the British stage was synonymous with being a great Shakespearean actor. Then the emphasis was placed on the soliloquies as declamatory turns at the expense of pace and action, and Shakespeare's plays seemed in peril of disappearing beneath the added music, scenery, and special effects produced by thunder, lightning, and wave machines.

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Shakespeare's reputation in the context of Shakespeare authorship question

The Shakespeare authorship question is the argument that someone other than William Shakespeare of Stratford-upon-Avon wrote the works attributed to him. Anti-Stratfordians—a collective term for adherents of the various alternative-authorship theories—believe that Shakespeare of Stratford was a front to shield the identity of the real author or authors, who for some reason—usually social rank, state security, or gender—did not want or could not accept public credit. Although the idea has attracted much public interest, all but a few Shakespeare scholars and literary historians consider it a fringe theory and for the most part acknowledge it only to rebut or disparage the claims.

Shakespeare's authorship was first questioned in the middle of the 19th century, when adulation of Shakespeare as the greatest writer of all time had become widespread. Some aspects of Shakespeare's life, particularly his humble origins and relative obscurity while he was alive, seemed incompatible with his poetic eminence and his reputation for genius. This aroused suspicion that Shakespeare might not have written the works attributed to him. The controversy has since spawned a vast body of literature, and more than 80 authorship candidates have been proposed, the most popular being Sir Francis Bacon; Edward de Vere, 17th Earl of Oxford; Christopher Marlowe; and William Stanley, 6th Earl of Derby.

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