Shahnameh in the context of "Persian literature"

⭐ In the context of Persian literature, the geographical scope of its origins and influence is most accurately described as encompassing which historical region?

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⭐ Core Definition: Shahnameh

The Shahnameh is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), the Shahnameh is one of the world's longest epic poems, and the longest epic poem created by a single author. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic.

The work is of central importance in Persian culture and Persian language. It is regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran.

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👉 Shahnameh in the context of Persian literature

Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, Pakistan, the Kurdistan Region, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan), South Asia and the Balkans where the Persian language has historically been either the native or official language.

For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikistan and other parts of Central Asia, as well as the Balkans. Not all Persian literature is written in Persian, as some consider works written by ethnic Persians or Iranians in other languages, such as Greek and Arabic, to be included.

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In this Dossier

Shahnameh in the context of Iranian Intermezzo

The Iranian Intermezzo, also called the Persian Renaissance, was a period in Iranian history marked by the rise to power of the first Iranian Muslim dynasties. Beginning 170 years after the Arab conquest of Iran and lasting until the middle of the 11th century, it is noteworthy since it was an interlude between the decay of Arab power under the Abbasid Caliphate and the rise of Turkic power under the Seljuk Empire, which triggered the Sunni Revival. The Iranian Intermezzo brought an end to Arab hegemony over Iranian lands and revived Iran's national spirit, albeit in conformity with Islam, though there were some non-Muslim movements (e.g., Mardavij) that outright rejected the Islamization of Iran. Although Zoroastrianism continued to decline, the movement did succeed in revitalizing the Persian language, with the most significant Persian literature from this period being the Shahnameh by Ferdowsi. The Iranian dynasties that took part in this effort were the Tahirids, the Saffarids, the Ilyasids, the Ghaznavids, the Sajids, the Samanids, the Ziyarids, the Buyids, the Sallarids, the Rawadids, the Marwanids, the Shaddadids, the Kakuyids, the Annazids, and the Hasanwayhids.

According to the historian Alison Vacca, the Iranian Intermezzo "in fact includes a number of other Iranian, mostly Kurdish, minor dynasties in the former caliphal provinces of Armenia, Albania, and Azerbaijan". Likewise, in the second edition of the Encyclopaedia of Islam, the historian Clifford Edmund Bosworth states that the Russian historian Vladimir Minorsky considers the Rawadids to be flourishing during this period.

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Shahnameh in the context of Avestan period

The Avestan period (c. 1500 – c. 400 BCE) is the period of Iranian history when the collection of canonical texts of Zoroastrianism called the Avesta was produced. The period saw important developments to religious thought and to Persian mythology and the tradition of epic poetry exemplified by the Shahnameh.

Scholars can reliably distinguish between two different linguistic strata in the Avesta labeled "Old Avestan" and "Young Avestan". These two strata represent two different stages in the development of the Avestan language and the society of its speakers. The Old Avestan society is the one to which Zoroaster and his immediate followers belonged. The Young Avestan society is less clearly delineated and reflects a longer time span.

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Shahnameh in the context of Ardashir I

Ardashir I (Middle Persian: 𐭠𐭥𐭲𐭧𐭱𐭲𐭥, romanized: Arda(x)šēr), also known as Ardashir the Unifier (180–242 AD), was the founder of the Sasanian Empire, the last empire of ancient Iran. After defeating the last Parthian shahanshah Artabanus IV on the Hormozdgan plain in 224, he overthrew the Arsacid dynasty and established the Sasanian dynasty. Afterwards, Ardashir called himself shahanshah and began conquering the land that he called Eranshahr, the realm of the Iranians.

There are various historical reports about Ardashir's lineage and ancestry. According to al-Tabari's History of the Prophets and Kings, Ardashir was son of Papak, son of Sasan. Another narrative recorded in Kar-Namag i Ardashir i Pabagan and Ferdowsi's Shahnameh states that Ardashir was born from the marriage of Sasan, a descendant of Darius III, with the daughter of Papak, a local governor in Pars.

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Shahnameh in the context of Salm (Shahnameh)

Salm (Persian: سلم) or Sarm (Middle Persian) is a character in the Persian epic Shahnameh. He is the oldest son of legendary hero and king Fereydun. It is believed that his name was given to him by his father, after Salm chooses to seek safety and run instead of fighting the dragon that had attacked him and his brothers (the dragon was Fereydun himself who had disguised himself to test his sons).

When Fereydun decides to divide his kingdom among his sons, he gives Salm Anatolia and West. Salm and his brother Tur become jealous of their younger brother Iraj. They combine their forces against him and eventually murder the young prince. Years later Iraj’s grandson Manuchehr avenges his grandfather’s death by killing both Salm and Tur.

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Shahnameh in the context of Shahnameh of Shah Tahmasp

The Shahnameh of Shah Tahmasp (Persian: شاهنامه شاه‌طهماسب) or Houghton Shahnameh is one of the most famous illustrated manuscripts of the Shahnameh, the national epic of Greater Iran, and a high point in the art of the Persian miniature. It is probably the most fully illustrated manuscript of the text ever produced. When created, the manuscript contained 759 pages, 258 of which were miniatures. These miniatures were hand-painted by the artists of the imperial workshop in Tabriz under Shah Ismail I and Shah Tahmasp I. Upon its completion, the Shahnameh was gifted to the Ottoman Sultan Selim II in 1568. The page size is about 48 x 32 cm, and the text written in Nastaʿlīq script of the highest quality. The manuscript was broken up in the 1970s and the pages are now in a number of different collections around the world.

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Shahnameh in the context of Rustam

Rostam or Rustam (Persian: رستم [rosˈtæm]) is an Iranian legendary hero in Persian mythology, the son of Zāl and Rudaba, whose life and work was immortalized by the 10th-century Persian poet Ferdowsi in the Shahnameh, or Epic of Kings, which contains pre-Islamic Iranian folklore and history. However, the roots of the narrative date much earlier.

In the Shahnameh, Rostam and his predecessors are Marzbans of Sistan (present-day Iran and Afghanistan). Rostam is best known for his tragic fight with Esfandiyār, the other legendary Iranian hero; for his expedition to Mazandaran (not to be confused with the modern Mazandaran Province). He is also known for the story of his Seven Labours.

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Shahnameh in the context of Rakhsh

In the Persian national epic Shahnameh by the poet Ferdowsi, Rakhsh (Persian: رخش, meaning "luminous") is the stallion of the protagonist Rostam.

The color of Rakhsh is described as "rose leaves that have been scattered upon a saffron ground" and it is first noticed by Rostam amongst the herds of horses brought over from Zabulistan and Kabul. In this first encounter Rakhsh is described as a mighty colt with the chest and shoulders of a lion and it appears to have the strength of an elephant. He is highly intelligent and his loyalty is legendary. No one but Rostam ever rides Rakhsh, and Rakhsh recognizes no one but Rostam as his master. Also, he is the only horse ever that Rostam could ride, since his great strength and weight would kill other horses.

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