Serial killer in the context of "Barbara Gordon"

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⭐ Core Definition: Serial killer

A serial killer (also called a serial murderer) is an individual who murders three or more people, with the killings taking place over a period of more than one month in three or more separate events. The Federal Bureau of Investigation (FBI) states that the motives of serial killers can include anger, thrill-seeking, attention seeking, and financial gain, and killings may be executed as such. The victims tend to have things in common, such as demographic profile, appearance, gender, or race. As a group, serial killers suffer from a variety of personality disorders. They are often not adjudicated as insane under the law. Although a serial killer is a distinct classification that differs from that of a mass murderer, spree killer, or contract killer, there are overlaps between them.

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Serial killer in the context of Mass murder

Mass murder is the violent crime of killing a number of people, typically simultaneously or over a relatively short period of time and in close geographic proximity. A mass murder typically occurs in a single location where one or more persons kill several others. Data suggests that approximately 30% of mass murderers die in the act.

In the United States, Congress defined mass murders as the killing of three or more persons during an event with no "cooling-off period" between the homicides. The Investigative Assistance for Violent Crimes Act of 2012, passed in the aftermath of the Sandy Hook Elementary School shooting, clarified the statutory authority for federal law enforcement agencies, including those in the Departments of Justice and Homeland Security, to assist state law enforcement agencies, and mandated across federal agencies a definition of "mass killing" as three or more killings during an incident.A mass murder may be further classified as a mass shooting or a mass stabbing. Mass murderers differ from spree killers, who kill at two or more locations with almost no time break between murders and are not defined by the number of victims, and serial killers, who kill people over long periods of time.

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Serial killer in the context of Trophy

A trophy is a tangible, decorative item used to remind of a specific achievement, serving as recognition or evidence of merit. Trophies are most commonly awarded for sporting events, ranging from youth sports to professional level athletics. Additionally, trophies are presented for achievements in Academic, Arts and Entertainment, Business, Military, Professional awards, Community Service, Hunting, and Environmental accomplishments. In many contexts, especially in sports, medals (or, in North America, rings) are often given out either as the trophy or along with more traditional trophies.

Originally the word trophy, derived from the Greek tropaion, referred to arms, standards, other property, or human captives and body parts (e.g., headhunting) captured in battle. These war trophies commemorated the military victories of a state, army or individual combatant. In modern warfare trophy taking is discouraged, but this sense of the word is reflected in hunting trophies and human trophy collecting by serial killers.

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Serial killer in the context of James Gordon (character)

James W. "Jim" Gordon Sr. is a character appearing in American comic books published by DC Comics, most commonly in association with the superhero Batman. Created by Bill Finger and Bob Kane as an ally of Batman, the character debuted in the first panel of Detective Comics #27 (May 1939), Batman's first appearance, making him the first Batman supporting character ever to be introduced.

As the police commissioner of Gotham City, Gordon shares Batman's deep commitment to ridding the city of crime. The character is typically portrayed as having full trust in Batman and is even somewhat dependent on him. In many modern stories, he is somewhat skeptical of Batman's vigilante methods, but nevertheless believes that Gotham needs him. The two have a mutual respect and tacit friendship. Gordon is the biological or adoptive father (depending on the continuity) of Barbara Gordon, the second Batgirl and the information broker Oracle. Jim Gordon also has a biological son, James Gordon Jr., a psychopathic serial killer who first appeared in Batman: Year One (as an infant).

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Serial killer in the context of Human trophy collecting

The practice of human trophy collecting involves the acquisition of human body parts as trophy, usually as war trophy. The intent may be to demonstrate dominance over the deceased (such as scalping or forming necklaces of severed ears or teeth), to humiliate or intimidate the enemy (such as shrunken heads or skull cups), or in some rare cases to commemorate the deceased (such as the veneration of the relics of saints). It can be done to prove one's body count in battle, to boast of one's prowess and achievements to peers, or as a status symbol of superior masculinity. Serial killers' collection of their victims' body parts have also been described as a form of trophy-taking.

While older customs generally included the burial of human war trophies along with the collector, such items have been sold in modern times.

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Serial killer in the context of Peter Lorre

Peter Lorre (German: [ˈpeːtɐ ˈlɔʁə]; born László Löwenstein, Hungarian: [ˈlaːsloː ˈløːvɛ(n)ʃtɒjn]; June 26, 1904 – March 23, 1964) was a Hungarian and American actor, active first in Europe and later in the United States. Known for his timidly devious characters, appearance, and accented voice, he was frequently typecast as a sinister foreigner. He was caricatured throughout his life and his cultural legacy remains in the media today.

He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany, where he worked first on the stage, then in film, in Berlin during the late 1920s and early 1930s. Lorre, who was Jewish, left Germany after Adolf Hitler and the Nazi Party came to power. Lorre caused an international sensation in the Weimar Republic–era film M (1931), where he portrayed a serial killer who preys on little girls. His first English-language film was Alfred Hitchcock's The Man Who Knew Too Much (1934), made in the United Kingdom.

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Serial killer in the context of Hadj Mohammed Mesfewi

Hadj Mohammed Mesfewi (died June 13, 1906), called the "Marrakesh Arch-Killer", was a Moroccan serial killer who murdered at least 36 women.

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Serial killer in the context of Psychological horror (film and television)

In films and television series, psychological horror creates tension through exploiting the shared psychological and emotional vulnerabilities of the human psyche, differing from traditional horrors, where the source of the fear are material threats like grotesque monsters, serial killers, or aliens, as well as the splatter and slasher film genres which derive its frightening effects from gore and graphic violence. In Jungian psychology, this concept aligns with the "shadow" archetype, which encompasses darker, often repressed human traits like dread and paranoia of others, oneself, and the world.

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Serial killer in the context of Seven (1995 film)

Seven (often stylized as Se7en) is a 1995 American crime thriller film directed by David Fincher and written by Andrew Kevin Walker. It stars Brad Pitt and Morgan Freeman, with Gwyneth Paltrow and John C. McGinley in supporting roles. Set in an unnamed, crime-ridden city, Seven's narrative follows disenchanted, nearly retired Detective Lieutenant William Somerset (Freeman) and his newly transferred partner David Mills (Pitt) as they try to stop a serial killer from committing a series of murders based on the seven deadly sins.

Walker, an aspiring writer, based Seven on his experiences of moving from a suburban setting to New York City during a period of rising crime and drug addiction in the late 1980s. An Italian film company optioned his script, but following financial difficulties, the rights were sold to New Line Cinema. Studio executives were opposed to the script's bleak conclusion, insisting on a more mainstream and optimistic outcome. Fincher, determined to re-establish himself after a career setback with his directorial debut Alien 3 (1992), was mistakenly sent Walker's original script and, convinced of its merit, committed to directing the project if the original ending remained intact. Principal photography took place in Los Angeles between December 1994 and March 1995, on a $33–34 million budget.

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