Sentimentalism (literature) in the context of "Moral sense theory"

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⭐ Core Definition: Sentimentalism (literature)

As a literary mode, sentimentalism, the practice of being sentimental, and thus tending towards making emotions and feelings the basis of a person's actions and reactions, as opposed to reason, has been a recurring aspect of world literature. Sentimentalism includes a variety of aspects in literature, such as sentimental poetry, the sentimental novel, and the German sentimentalist music movement, Empfindsamkeit. European literary sentimentalism arose during the Age of Enlightenment, partly as a response to sentimentalism in philosophy. In eighteenth-century England, the sentimental novel was a major literary genre. The genre developed in England between 1730 and 1780 at the time of high enlightenment from where it spread to other European literatures. Its philosophical basis primarily came from Anthony Ashley Cooper, 3rd Earl of Shaftesbury, a pupil of John Locke.

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Sentimentalism (literature) in the context of Sentimental novel

The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre that presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.

Sentimental novels relied on emotional response, both from their readers and characters. They feature scenes of distress and tenderness, and the plot is arranged to advance both emotions and actions. The result is a valorization of "fine feeling", displaying the characters as a model for refined, sensitive emotional effect. The ability to display feelings was thought to show character and experience, and to shape social life and relations.

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Sentimentalism (literature) in the context of Sentimentality

Sentimentality originally indicated the reliance on feelings as a guide to truth, but in current usage the term commonly connotes a reliance on shallow, uncomplicated emotions at the expense of reason.

Sentimentalism in philosophy is a view in meta-ethics according to which morality is somehow grounded in moral sentiments or emotions. Sentimentalism in literature refers to techniques a writer employs to induce a tender emotional response disproportionate to the situation at hand (and thus to substitute heightened and generally uncritical feeling for normal ethical and intellectual judgments). The term may also characterize the tendency of some readers to invest strong emotions in trite or conventional fictional situations.

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Sentimentalism (literature) in the context of Oliver Goldsmith

Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Anglo-Irish poet, novelist, playwright, and hack writer. He produced literary works in a variety of genres and is regarded among the most versatile writers of the Georgian era. His works are known for their realistic depictions of British society, and his comedy plays for the English stage are considered second in importance only to those of playwright William Shakespeare. Credited with introducing sentimentalism in English literature in 18th-century Great Britain, several of Goldsmith's publications are popular classics of the period, including his only novel, The Vicar of Wakefield (1766), and the comedy play She Stoops to Conquer (1771).

He wrote the play The Good-Natur'd Man (1768) and is additionally thought by commentators such as Washington Irving to have written the children's novel The History of Little Goody Two-Shoes (1765), one of the earliest classical works of children's literature. Goldsmith also produced a number of poems during his career, such as The Deserted Village (1770), and contributed to the flourishing of idyllic poetry during the Georgian era.

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