Sensibility in the context of "Sentimentality"

In philosophy, a noumenon (/ˈnuːmənɒn/, /ˈnaʊ-/; from Ancient Greek: νοούμενoν; pl.: noumena) is knowledge posited as an object that exists independently of human sense. The term noumenon is generally used in contrast with, or in relation to, the term phenomenon, which refers to any object of the senses. Immanuel Kant first developed the notion of the noumenon as part of his transcendental idealism, suggesting that while we know the noumenal world to exist because human sensibility is merely receptive, it is not itself sensible and must therefore remain otherwise unknowable to us. In Kantian philosophy, the noumenon is often associated with the unknowable "thing-in-itself" (German: Ding an sich). However, the nature of the relationship between the two is not made explicit in Kant's work, and remains a subject of debate among Kant scholars as a result.

The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre that presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.

Sentimental novels relied on emotional response, both from their readers and characters. They feature scenes of distress and tenderness, and the plot is arranged to advance both emotions and actions. The result is a valorization of "fine feeling", displaying the characters as a model for refined, sensitive emotional effect. The ability to display feelings was thought to show character and experience, and to shape social life and relations.

Religious offenses are actions that are considered to violate religious sensibilities and arouse negative emotions in people with strong religious beliefs. Traditionally, there are three unique types of acts that are considered to be religious offenses:

• Heresy (wrong choice) means questioning or doubting dogmatic established beliefs.
• Blasphemy (evil-speaking) is the act of insulting or showing contempt for a religious deity.
• Apostasy (revolt or renunciation) implies the abandonment of a prescribed religious duty (i.e. disloyalty, sedition or defection)

Individuals in any given religious community may be sensitive to different things in different measures, particularly in relation to topics such as sexuality, infancy, society, and warfare. Religious offense can be caused deliberately or motivated by religious intolerance, especially between specific religious beliefs regarding "sacred truth". However, every religion is essentially a set of beliefs conveyed from generation to generation which are, by religious definition, held to be immutable truths by that religion's believers or followers. Anything that tends to weaken or break that chain of authoritative continuity is likely to be deemed offensive and, in some jurisdictions, severely punishable.

In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of "sensibility" with its emphasis on women and children, the isolation of the artist or narrator, and respect for nature. Furthermore, several romantic authors, such as Edgar Allan Poe, Charles Maturin and Nathaniel Hawthorne, based their writings on the supernatural/occult and human psychology. Romanticism tended to regard satire as something unworthy of serious attention, a view still influential today. The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism.

Some authors cite 16th-century poet Isabella di Morra as an early precursor of Romantic literature. Her lyrics covering themes of isolation and loneliness, which reflected the tragic events of her life, are considered "an impressive prefigurement of Romanticism", differing from the Petrarchist fashion of the time based on the philosophy of love.