Semantic change in the context of "Semasiology"

A literary trope is an artistic effect realized with figurative language – word, phrase, image – such as a rhetorical figure. In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), motifs, and clichés in a work of creative literature.

An emporium refers to a trading post, factory, or market of classical antiquity, derived from ἐμπόριον empórion, which becomes emporium in Latin. The plural is emporia in both languages, although in Greek the plural undergoes a semantic shift towards 'merchandise'. Emporium is a term that has also been used to describe the centres of heightened trade during the Early Middle Ages.

Emporia varied greatly in their level of activity. Some seem to have functioned much like the permanent European trading colonies in China, India and Japan in the early modern period or those of the mediaeval Italian maritime republics in the Levant. Others were probably annual events for a few days or weeks like the medieval Champagne fairs or modern trade fairs.

An instrumental, instrumental music, or sometimes "instrumental song" is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word "song" may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra.

In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, an instrumental introduction. If the instrumental section highlights the skill, musicality, and often the virtuosity of a particular performer (or group of performers), the section may be called a "solo" (e.g., the guitar solo that is a key section of heavy metal music and hard rock songs). If the instruments are percussion instruments, the interlude can be called a percussion interlude or "percussion break". These interludes are a form of break in the song.

In linguistics, reappropriation, reclamation, or resignification is the cultural process by which a group reclaims words or artifacts that were previously used in a way disparaging of that group. It is a specific form of a semantic change (i.e., change in a word's meaning). Linguistic reclamation can have wider implications in the fields of discourse and has been described in terms of personal or sociopolitical empowerment.

Bariolage is a musical technique used with bowed string instruments that involves rapidly playing alternated notes on adjacent strings, one of which is generally left open, thereby exploiting the different timbres of each string. Bariolage may involve quick alternation between a static note and changing notes that form a melody either above or below the static note. The static note is usually an open string note, which creates a highly resonant sound. In bluegrass fiddling the technique is known as "cross-fingering".

The term bariolage appears to have been coined in the nineteenth century to denote an eighteenth-century violin technique requiring flexibility in the wrist and forearm, the mechanics of which are not discussed by nineteenth-century writers. Etymologically, in French, the term was taken from the noun bariolage meaning a 'disorderly mix of bright colors', which in turn derives from the verb barioler meaning 'to cover with a mix of bright colors'. The bowing technique most often used for bariolage is called ondulé in French or ondeggiando In Italian. Bariolage may also be executed with separate bow strokes.