Character arc in the context of "Parallel universes in fiction"

⭐ In the context of parallel universes, a character arc is most commonly advanced through…

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⭐ Core Definition: Character arc

A character arc is the transformation or inner journey of a character over the course of a story. If a story has a character arc, the character begins as one sort of person and gradually transforms into a different sort of person in response to changing developments in the story. Since the change is often substantive and leading from one personality trait to a diametrically opposite trait (for example, from greed to benevolence), the geometric term arc is often used to describe the sweeping change. In most stories, lead characters and protagonists are the characters most likely to experience character arcs, although lesser characters often change as well. A driving element of the plots of many stories is that the main character seems initially unable to overcome opposing forces, possibly because they lack skills or knowledge or resources or friends. To overcome such obstacles, the main character must change, possibly by learning new skills, to arrive at a higher sense of self-awareness or capability. Main characters can achieve such self-awareness by interacting with their environment, by enlisting the help of mentors, by changing their viewpoint, or by some other method.

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👉 Character arc in the context of Parallel universes in fiction

A parallel universe, also known as an alternate universe, world, or dimension, is a plot device in fiction which uses the notion of a hypothetical universe co-existing with another, typically to enable alternative narrative possibilities. The sum of all potential parallel universes that constitute reality is often called the "multiverse".

The device serves several narrative purposes. Among them, parallel universes have been used to allow stories with elements that would ordinarily violate the laws of nature, to enable characters to meet and interact with alternative versions of themselves or others from their home universe, thus enabling further character development, and to serve as a starting point for speculative fiction, particularly alternate history.

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Character arc in the context of Sophocles

Sophocles (/ˈsɒfəklz/; Ancient Greek: Σοφοκλῆς, pronounced [so.pʰo.klɛ̂ːs], Sophoklễs; c. 497/496 – winter 406/405 BC) was an ancient Greek tragedian, one of three from whom at least two plays have survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides. Sophocles wrote more than 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost 50 years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens, which took place during the religious festivals of the Lenaea and the Dionysia. He competed in 30 competitions, won 24, and was never judged lower than second place. Aeschylus won 13 competitions and was sometimes beaten by Sophocles; Euripides won four.

The most famous tragedies of Sophocles feature Oedipus and Antigone: they are generally known as the Theban plays, though each was part of a different tetralogy (the other members of which are now lost). Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights.

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Character arc in the context of Sports novel

A sports novel is a genre of novel that focuses on the theme of sports and athletics in general. The characters, especially the protagonist, are typically athletes, with a setting in the real world (typically in present-day or recent history), and a plot that revolves around sports competitions. The themes typically involve character growth, and overcoming obstacles.

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