Secondary chord in the context of "Roman numeral analysis"

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⭐ Core Definition: Secondary chord

A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization.

Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. Secondary chords are referred to by the function they have and the key or chord in which they function. In Roman numeral analysis, they are written with the notation "function/key". Thus, one of the most common secondary chords, the dominant of the dominant, is written "V/V" and read as "five of five" or "the dominant of the dominant". The major or minor triad on any diatonic scale degree may have any secondary function applied to it; secondary functions may even be applied to diminished triads in some special circumstances.

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Secondary chord in the context of Modal mixture

A borrowed chord (also called mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period.

Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be considered brief or transitory modulations and may be distinguished from secondary chords as well as altered chords. According to Sheila Romeo, "[t]he borrowed chord suggests the sound of its own mode without actually switching to that mode."

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