Bayeux Cathedral in the context of "Litany of Loreto"

⭐ In the context of the Litany of Loreto, the origin of its name is most closely tied to what location?

Ad spacer

⭐ Core Definition: Bayeux Cathedral

Bayeux Cathedral, also known as Cathedral of Our Lady of Bayeux (French: CathΓ©drale Notre-Dame de Bayeux), is a Roman Catholic church located in the town of Bayeux in Normandy, France. A national monument, it is the seat of the Bishop of Bayeux and Lisieux and was probably the original home of the Bayeux Tapestry, still preserved nearby. The cathedral is in the Norman-Romanesque architectural tradition.

The site is an ancient one and was once occupied by Roman sanctuaries. The present cathedral was consecrated on 14 July 1077 in the presence of William, Duke of Normandy. It was on this site that William may have forced Harold Godwinson to take an oath of support to him, the breaking of which led to the Norman Conquest of England – meaning that the oath must have been made before 1066.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

πŸ‘‰ Bayeux Cathedral in the context of Litany of Loreto

The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto (Latin: Litaniae lauretanae), after its first-known place of origin, the Shrine of Our Lady of Loreto in Italy, where its usage was recorded as early as 1558.

The litany contains many of the titles used formally and informally for the Virgin Mary, and would often be recited as a call and response chant in a group setting. They are used to recite or sing at the end of the Rosary, and as a separate act of Marian devotion. In the latter case, for example, they can form the main element of a celebration of prayer to the Virgin Mary, be a processional song, or form part of a celebration of the Word of God.

↓ Explore More Topics
In this Dossier

Bayeux Cathedral in the context of Overlord

An overlord in the English feudal system was a lord of a manor who had subinfeudated a particular manor, estate or fee, to a tenant. The tenant thenceforth owed to the overlord one of a variety of services, usually military service or serjeanty, depending on which form of tenure (i.e. feudal tenancy contract) the estate was held under. The highest overlord of all, or lord paramount, was the monarch, who due to his ancestor William the Conqueror's personal conquest of the Kingdom of England, owned by inheritance from him all the land in England under allodial title and had no superior overlord, "holding from God and his sword", although certain monarchs, notably King John (1199–1216) purported to grant the Kingdom of England to Pope Innocent III, who would thus have become overlord to English monarchs.

A paramount lord may then be seen to occupy the apex of the feudal pyramid, or the root of the feudal tree, and such allodial title is also termed "radical title" (from Latin radix, root), "ultimate title" and "final title". William the Conqueror immediately set about granting tenancies on his newly won lands, in accordance with feudal principles. The monarch's immediate tenants were the tenants-in-chief, usually military magnates, who held the highest status in feudal society below the monarch. The tenants-in-chief usually held multiple manors or other estates from the monarch, often as feudal barons (or "barons by tenure") who owed their royal overlord an enhanced and onerous form of military service, and subinfeudated most to tenants, generally their own knights or military followers, keeping only a few in demesne. This created a mesne lord – tenant relationship. The knights in turn subinfeudated to their own tenants, creating a further subsidiary mesne lord – tenant relationship. Over the centuries for any single estate the process was in practice repeated numerous times.

↑ Return to Menu

Bayeux Cathedral in the context of Trefoil arch

A trefoil arch, or three-foiled cusped arch (occasionally trilobite arch, no connection to an actual trilobite), is an arch incorporating the shape or outline of a trefoil – three overlapping circles. It has been widely used for its symbolic significance in Christian architecture. Trefoil arches are common in Gothic architecture for portals and decoration. Trefoil or "trilobed" arches are also a characteristic feature of decorated portals in late Fatimid architecture and Mamluk architecture in Egypt, from approximately the 12th to 16th centuries.

↑ Return to Menu