Second-degree murder in the context of "Malice (law)"

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⭐ Core Definition: Second-degree murder

Murder is the unlawful killing of another human without justification or valid excuse committed with the necessary intention as defined by the law in a specific jurisdiction. This state of mind may, depending upon the jurisdiction, distinguish murder from other forms of unlawful homicide, such as manslaughter. Manslaughter is killing committed in the absence of malice, such as in the case of voluntary manslaughter brought about by reasonable provocation, or diminished capacity. Involuntary manslaughter, where it is recognized, is a killing that lacks all but the most attenuated guilty intent, recklessness.

Most societies consider murder to be an extremely serious crime, and thus believe that a person convicted of murder should receive harsh punishments for the purposes of retribution, deterrence, rehabilitation, or incapacitation. In most countries, a person convicted of murder generally receives a long-term prison sentence, a life sentence, or capital punishment. Some countries, states, and territories, including the United Kingdom and other countries with English-derived common law, mandate life imprisonment for murder, whether it is subdivided into first-degree murder or otherwise.

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Second-degree murder in the context of Carl Andre

Carl Andre (September 16, 1935 – January 24, 2024) was an American minimalist artist recognized for his ordered linear and grid format sculptures. His sculptures range from large public artworks (such as Stone Field Sculpture, 1977, in Hartford, Connecticut, and Lament for the Children, 1976, in Long Island City, New York), to large interior works exhibited on the floor (such as 144 Magnesium Square, 1969), to small intimate works (such as Satier: Zinc on Steel, 1989, and 7 Alnico Pole, 2011).

In 1985 his third wife, contemporary artist Ana Mendieta, fell from their 34th-floor apartment window and died. Neighbors heard an argument and Mendieta shouting "no" immediately before the fall. He was acquitted of a second-degree murder charge in a 1988 bench trial, causing uproar among feminists in the art world; supporters of Mendieta have protested at his subsequent exhibitions.

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