Sebastiano del Piombo in the context of Transfer of panel paintings


Sebastiano del Piombo in the context of Transfer of panel paintings

⭐ Core Definition: Sebastiano del Piombo

Sebastiano del Piombo (Italian: [sebaˈstjaːno del ˈpjombo]; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerist periods, famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.

Born Sebastiano Luciani, after coming to Rome he became known as Sebastiano Veneziano or Viniziano ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seal to the Papacy, and so got the nickname del Piombo ("of the Lead") thereafter, from his new job title of piombatore. Friends like Michelangelo and Ariosto called him Fra Bastiano ("Brother Bastian").

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👉 Sebastiano del Piombo in the context of Transfer of panel paintings

The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation.

The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century. It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos. Oil paintings on canvas often receive additional support or are transferred to a new backing.

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Sebastiano del Piombo in the context of The Raising of Lazarus (Sebastiano del Piombo)

The Raising of Lazarus is a large altarpiece of 1517–1519 by the Italian High Renaissance artist Sebastiano del Piombo, for which Michelangelo supplied drawings for some figures. Intended for Narbonne Cathedral in France, it is now normally in Room 18 of the National Gallery in London, where it is "NG1", the first painting catalogued at the founding of the gallery in 1824.

It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", or "cat's paw", in a rivalry between the two and Raphael, whose Transfiguration (now in the Vatican Pinacoteca) is the same size of 381 cm × 299 cm (150 in × 118 in) and was commissioned for the same cathedral. The verdict of Roman critical opinion was that Raphael's painting won.

View the full Wikipedia page for The Raising of Lazarus (Sebastiano del Piombo)
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