Scythian art in the context of Xiongnu

Eurasian nomads form groups of nomadic peoples who have lived in various areas of the Eurasian Steppe. History largely knows them via frontier historical sources from Europe and Asia.

The steppe nomads had no permanent abode, but travelled from place to place to find fresh pasture for their livestock. The generic designation encompasses the varied ethnic groups who have at times inhabited steppe regions of present-day Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, Uzbekistan, Uyghuristan, Mongolia, Russia, and Ukraine.

The Scythian cultures was an archaeological horizon that flourished across the Eurasian Steppe during the Iron Age, from approximately the 9th century BC to the 2nd century AD. It included the Scythian, Sauromatian and Sarmatian cultures of Eastern Europe, the Saka-Massagetae and Tasmola cultures of Central Asia, and the Aldy-Bel, Pazyryk and Tagar cultures of south Siberia.

The Scythian-Siberian world was characterized by the Scythian triad, which are similar, yet not identical, styles of weapons, horses' bridles, and jewelry and decorative art. The question of how related these cultures were is disputed among scholars. Its peoples were of diverse origins, and included not just Scythians, from which the cultures are named, but other peoples as well, such as the Cimmerians, Massagetae, Saka, Sarmatians, and obscure forest-steppe populations. Mostly speakers of the Scythian branch of the Iranian languages, all of these peoples are sometimes collectively referred to as Scythians, Scytho-Siberians, Early Nomads, or Iron Age Nomads.

The Ordos culture (simplified Chinese: 鄂尔多斯文化; traditional Chinese: 鄂爾多斯文化; pinyin: È'ěrduōsī Wénhuà) was a material culture occupying a region centered on the Ordos Loop (corresponding to the region of Suiyuan, including Baotou to the north, all located in modern Inner Mongolia, China) during the Bronze and early Iron Age from c. 800 BCE to 150 BCE. The Ordos culture is known for significant finds of Scythian art and may represent the easternmost extension of Indo-European Eurasian nomads, such as the Saka, or may be linkable to Palaeo-Siberians or Yeniseians. Under the Qin and Han dynasties, the area came under the control of contemporaneous Chinese states.

Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, Afghanistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.

From the late second millennium BC until very recently, the grasslands of Central Asia – stretching from the Caspian Sea to central China and from southern Russia to northern India – have been home to migrating herders who practised mixed economies on the margins of sedentary societies. The prehistoric 'animal style' art of these pastoral nomads not only demonstrates their zoomorphic mythologies and shamanic traditions but also their fluidity in incorporating the symbols of sedentary society into their own artworks.

Luristan bronzes (rarely "Lorestān", "Lorestāni" etc. in sources in English) are small cast objects decorated with bronze sculpture from the Early Iron Age which have been found in large numbers in Lorestān Province and Kermanshah in western Iran. They include a great number of ornaments, tools, weapons, horse-fittings and a smaller number of vessels including situlae, and those found in recorded excavations are generally found in burials. The ethnicity of the people who created them remains unclear, though they may well have been Iranian, possibly related to the modern Lur people who have given their name to the area. They probably date to between about 1000 and 650 BC.

The bronzes tend to be flat and use openwork, like the related metalwork of Scythian art. They represent the art of a nomadic or transhumant people, for whom all possessions needed to be light and portable, and necessary objects such as weapons, finials (perhaps for tent-poles), horse-harness fittings, pins, cups and small fittings are highly decorated over their small surface area. Representations of animals are common, especially goats or sheep with large horns, and the forms and styles are distinctive and inventive. The "Master of Animals" motif, showing a human positioned between and grasping two confronted animals is common but typically highly stylized. Some female "mistress of animals" are seen.