Science fiction writer in the context of "Cyberpunk"

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⭐ Core Definition: Science fiction writer

Science fiction is a genre of speculative fiction that deals with imaginative, futuristic and scientific concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, parallel universes, and extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances.

Science fiction is related to fantasy, horror, and superhero fiction, and it contains many subgenres. The genre's precise definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society, climate fiction, which addresses environmental issues, and space opera, which emphasizes pure adventure in a universe in which space travel is common.

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Science fiction writer in the context of Eric Temple Bell

Eric Temple Bell (7 February 1883 – 21 December 1960) was a mathematician, educator and science fiction writer who lived in the United States for most of his life. He published non-fiction using his given name and fiction as John Taine.

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Science fiction writer in the context of Thomas M. Disch

Thomas Michael Disch (February 2, 1940 – July 4, 2008) was an American science fiction writer and poet. He won the Hugo Award for Best Related Book—previously called "Best Non-Fiction Book"—in 1999. He had two other Hugo nominations and nine Nebula Award nominations to his credit, plus one win of the John W. Campbell Memorial Award, a Rhysling Award, and two Seiun Awards, among others.

In the 1960s, his work began appearing in science-fiction magazines. His critically acclaimed science fiction novels, The Genocides, Camp Concentration and 334 are major contributions to the New Wave science fiction movement. In 1996, his book The Castle of Indolence: On Poetry, Poets, and Poetasters was nominated for the National Book Critics Circle Award, and in 1999, Disch won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of, a meditation on the impact of science fiction on culture, as well as the Michael Braude Award for Light Verse. Among his other nonfiction work, he wrote theatre and opera criticism for The New York Times, The Nation, and other periodicals. He published several volumes of poetry as Tom Disch.

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