Sarangadeva in the context of Hindustani classical music


Sarangadeva in the context of Hindustani classical music

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⭐ Core Definition: Sarangadeva

Śārṅgadeva (1175–1247), also spelled Sharngadeva or Sarnga Deva, was a 13th-century Indian musicologist who authored Sangita Ratnakara – a Sanskrit text on music and drama. It is considered to be the authoritative treatise on Indian classical music by both the Hindustani and Carnatic music traditions.

Śārṅgadeva was born in a Brahmin family of Kashmir. In an era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region ruled by the Yadava dynasty near Ellora Caves (Maharashtra). Śārṅgadeva worked as an accountant with freedom to pursue his music interests in the court of King Simhana (r. 1210–1247).

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Sarangadeva in the context of Indian classical music

Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Shastriya Sangeet and Marg Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is Odissi music, which has evolved over the last two thousand years.

The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient Natyashastra, the classic Sanskrit text on performing arts by Bharata Muni. The 13th century Sanskrit text Sangeeta-Ratnakara of Sarangadeva is regarded as the definitive text by both the Hindustani music and the Carnatic music traditions.

View the full Wikipedia page for Indian classical music
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