Sans serif in the context of Minimalism


Sans serif in the context of Minimalism

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⭐ Core Definition: Sans serif

In typography and lettering, a sans-serif, sans serif (/ˈsæn(z) ˈsɛrɪf/), gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque, § Neo-grotesque, § Geometric, § Humanist, and § Other or mixed.

Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text.

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Sans serif in the context of Capitalisation

Capitalization (American English) or capitalisation (Commonwealth English) is writing a word with its first letter as a capital letter (uppercase letter) and the remaining letters in lower case, in writing systems with a case distinction. The term also may refer to the use of uppercase letters in general, or the choice between uppercase and lowercase.

Conventional writing systems (orthographies) for different languages have different conventions for capitalization, for example, the capitalization of titles. Conventions also vary, to a lesser extent, between different style guides. In addition to the Latin script, capitalization also affects the Armenian, Cyrillic, Georgian and Greek alphabets.

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Sans serif in the context of East Asian Gothic typeface

In East Asian writing systems, gothic typefaces (simplified Chinese: 黑体; traditional Chinese: 黑體; pinyin: hēitǐ; Jyutping: haak1 tai2; Japanese: ゴシック体, romanizedgoshikku-tai; Korean: 돋움, romanizeddodum, 고딕체 godik-che) are a type style characterized by strokes of even thickness and lack of decorations, akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.

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