Samuel Taylor Coleridge in the context of "Bipolar disorder"

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⭐ Core Definition: Samuel Taylor Coleridge

Samuel Taylor Coleridge (/ˈk.lə.rɪ/ KOH-lə-rij; 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd.

He wrote the poems The Rime of the Ancient Mariner and "Kubla Khan", as well as the major prose work Biographia Literaria. His critical works were highly influential, especially in relation to William Shakespeare, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism.Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.

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Samuel Taylor Coleridge in the context of National church

A national church is a Christian church associated with a specific ethnic group or nation state. The idea was notably discussed during the 19th century, during the emergence of modern nationalism.

Samuel Taylor Coleridge, in a draft discussing the question of church and state around 1828 wrote that

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Samuel Taylor Coleridge in the context of Alfred Tennyson, 1st Baron Tennyson

Alfred Tennyson, 1st Baron Tennyson FRS (/ˈtɛnɪsən/; 6 August 1809 – 6 October 1892) was an English poet. He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

Tennyson also focused on short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as "Ulysses" and "The Lotos-Eaters". "In Memoriam A.H.H." was written to commemorate his friend Arthur Hallam, a fellow poet and student at Trinity College, Cambridge, after he died of a stroke at the age of 22. Tennyson also wrote notable blank verse, including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success.

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Samuel Taylor Coleridge in the context of Tradition and the Individual Talent

"Tradition and the Individual Talent" (1919) is an essay written by poet and literary critic T. S. Eliot. The essay was first published in The Egoist (1919) and later in Eliot's first book of criticism, The Sacred Wood (1920). The essay is also available in Eliot's Selected Prose and Selected Essays.

While Eliot is most often known for his poetry, he also contributed to the field of literary criticism. In this dual role, he acted as a cultural critic, comparable to Sir Philip Sidney and Samuel Taylor Coleridge. "Tradition and the Individual Talent" is one of the better-known works that Eliot produced in his critic capacity. It formulates Eliot's influential conception of the relationship between the poet and preceding literary traditions.

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Samuel Taylor Coleridge in the context of Unconscious mind

In psychoanalysis and other psychological theories, the unconscious mind (or the unconscious) is the part of the psyche that is not available to introspection. Although these processes exist beneath the surface of conscious awareness, they are thought to exert an effect on conscious thought processes and behavior. The term was coined by the 18th-century German Romantic philosopher Friedrich Schelling and later introduced into English by the poet and essayist Samuel Taylor Coleridge.

The emergence of the concept of the unconscious in psychology and general culture was mainly due to the work of Austrian neurologist and psychoanalyst Sigmund Freud. In psychoanalytic theory, the unconscious mind consists of ideas and drives that have been subject to the mechanism of repression: anxiety-producing impulses in childhood are barred from consciousness, but do not cease to exist, and exert a constant pressure in the direction of consciousness. However, the content of the unconscious is only knowable to consciousness through its representation in a disguised or distorted form, by way of dreams and neurotic symptoms, as well as in slips of the tongue and jokes. The psychoanalyst seeks to interpret these conscious manifestations in order to understand the nature of the repressed.

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Samuel Taylor Coleridge in the context of Gothic fiction

Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance-era use of the word "gothic", as a pejorative term meaning medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths.

The first work to be labelled as Gothic was Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets such as Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott, and E. T. A. Hoffmann frequently drew upon Gothic motifs in their works as well.

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Samuel Taylor Coleridge in the context of The History of Tom Jones, a Foundling

The History of Tom Jones, a Foundling, often known simply as Tom Jones, is a comic novel by English playwright and novelist Henry Fielding. It is a Bildungsroman and a picaresque novel. It was first published on 28 February 1749 in London and is among the earliest English works to be classified as a novel. It is the earliest novel mentioned by W. Somerset Maugham in his 1948 book Great Novelists and Their Novels, in which Maugham ranks the ten best novels of the world.

The novel is highly organised despite its length. Samuel Taylor Coleridge argued that it has one of the "three most perfect plots ever planned", alongside Oedipus Rex by Sophocles and The Alchemist by Ben Jonson. It became a best-seller, with four editions published in its first year alone. It is generally regarded as Fielding's greatest book and as an influential English novel.

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Samuel Taylor Coleridge in the context of Artistic inspiration

Inspiration (from the Latin inspirare, meaning "to breathe into") is a burst of creativity in a literary, musical, or visual art and other artistic endeavours without thinking. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus. Similarly, in the Ancient Norse religions, inspiration derives from the gods, such as Odin. Inspiration is also a divine matter in Hebrew poetics. In the Book of Amos the prophet speaks of being overwhelmed by God's voice and compelled to speak. In Christianity, inspiration is a gift of the Holy Spirit.

In the 18th century philosopher John Locke proposed a model of the human mind in which ideas associate or resonate with one another in the mind. In the 19th century, Romantic poets such as Coleridge and Shelley believed that inspiration came to a poet because the poet was attuned to the (divine or mystical) "winds" and because the soul of the poet was able to receive such visions. In the early 20th century, psychoanalyst Sigmund Freud believed himself to have located inspiration in the inner psyche of the artist. Psychiatrist Carl Gustav Jung's theory of inspiration suggests that an artist is one who was attuned to their creative instinct which encoded the archetypes of the human mind.

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Samuel Taylor Coleridge in the context of English Romanticism

Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement in England, and the Coronation of Queen Victoria in 1838 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, about 1820.

The Romantic period was one of social change in England because of the depopulation of the countryside and the rapid growth of overcrowded industrial cities between 1798 and 1832. The movement of so many people in England was the result of two forces: the Agricultural Revolution, which involved enclosures that drove workers and their families off the land; and the Industrial Revolution, which provided jobs "in the factories and mills, operated by machines driven by steam-power". Indeed, Romanticism may be seen in part as a reaction to the Industrial Revolution, though it was also a revolt against the aristocratic social and political norms of the Age of Enlightenment, as well as a reaction against the scientific rationalization of nature. The French Revolution had an important influence on the political thinking of many Romantic figures at this time as well.

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