The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style.
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👉 Nazarene movement in the context of Julius Schnorr von Carolsfeld
Julius Schnorr von Carolsfeld (26 March 1794 – 24 May 1872) (German pronunciation: [ˈjuːli̯ʊs ʃnɔʁ fɔn ˈkaːʁɔlsfɛlt]) was a German painter, chiefly of Biblical subjects. As a young man he associated with the painters of the Nazarene movement who revived the florid Renaissance style in religious art. He is remembered for his extensive Picture Bible, and his designs for stained glass windows in cathedrals.
In this Dossier
- ⭐ Core Definition: Nazarene movement
- 👉 Nazarene movement in the context of Julius Schnorr von Carolsfeld
- Nazarene movement in the context of Pre-Raphaelite Brotherhood
- Nazarene movement in the context of Leopold Kupelwieser
- Nazarene movement in the context of Peter von Cornelius
- Nazarene movement in the context of Philipp Veit
- Nazarene movement in the context of Joseph von Führich
Nazarene movement in the context of Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists and poets of the time, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones and John William Waterhouse.
The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind". The group associated their work with John Ruskin, an English critic whose influences were driven by his religious background. Christian themes were abundant.
Nazarene movement in the context of Leopold Kupelwieser
Leopold Kupelwieser (17 October 1796, Markt Piesting – 17 November 1862, Vienna) was an Austrian painter, often associated with the Nazarene movement.
Nazarene movement in the context of Peter von Cornelius
Peter von Cornelius (23 September 1783, Düsseldorf – 6 March 1867, Berlin) was a German painter and one of the main representatives of the Nazarene movement. He was the uncle of the composer Peter Cornelius (1824–1874).
Nazarene movement in the context of Philipp Veit
Philipp Veit (13 February 1793 – 18 December 1877) was a German Romantic painter and one of the main exponents of the Nazarene movement. It is to Veit that the credit of having been the first to revive the nearly forgotten technique of fresco painting is due.
Nazarene movement in the context of Joseph von Führich
Joseph von Führich (fully Josef Ritter von Führich) (9 February 1800 – 13 March 1876) was an Austrian painter, one of the Nazarenes. He painted religious pictures almost exclusively. Führich acquired his greatest fame as a draughtsman.