Salon d'Automne in the context of "Grand Palais"

Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement which developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat.

The term Post-Impressionism was first used by art critic Roger Fry in 1906. Critic Frank Rutter in a review of the Salon d'Automne published in Art News, 15 October 1910, described Othon Friesz as a "post-impressionist leader"; there was also an advert for the show The Post-Impressionists of France. Three weeks later, Roger Fry used the term again when he organised the 1910 exhibition Manet and the Post-Impressionists, defining it as the development of French art since Édouard Manet.

Amedeo Clemente Modigliani (US: /ˌmoʊdiːlˈjɑːni/; Italian: [ameˈdɛːo modiʎˈʎaːni]; 12 July 1884 – 24 January 1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterised by a surreal elongation of faces, necks, and figures — works that were not received well during his lifetime, but later became much sought after. Modigliani was born and spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912, Modigliani was exhibiting highly stylised sculptures with Cubists of the Section d'Or group at the Salon d'Automne.

Modigliani's oeuvre includes paintings and drawings. From 1909 to 1914, he devoted himself mainly to sculpture. His main subjects were portraits and full figures, both in images and in the sculpture. Modigliani had little success while alive but after his death achieved great popularity. He died of tubercular meningitis, at the age of 35, in Paris.

Maurice de Vlaminck (French: [vlamɛ̃k]; 4 April 1876 - 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.

Dance (La Danse) is a painting made by Henri Matisse in 1910, at the request of Russian businessman and art collector Sergei Shchukin, who bequeathed the large decorative panel to the Hermitage Museum, in Saint Petersburg. The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the development of modern painting". A preliminary version of the work, sketched by Matisse in 1909 as a study for the work, resides at MoMA in New York, where it has been labeled Dance (I).

La Danse was first exhibited at the Salon d'Automne of 1910 (1 October – 8 November), Grand Palais des Champs-Élysées, Paris.

Woman with a Hat (French: La femme au chapeau) is an oil-on-canvas painting by Henri Matisse. It depicts Matisse's wife, Amélie Matisse. It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".

Critic Louis Vauxcelles, in comparing the paintings of Matisse and his associates with a Renaissance-type sculpture displayed alongside them, used the phrase "Donatello chez les fauves..." (Donatello among the wild beasts). Woman with a Hat was at the center of this controversy, marking a stylistic shift in the work of Matisse from the Divisionist brushstrokes of his earlier work to a more expressive style. Its loose brushwork and "unfinished" quality shocked viewers as much as its vivid, non-naturalistic colors.

The Société des Artistes Indépendants (French pronunciation: [sɔsjete dez‿aʁtist(z‿)ɛ̃depɑ̃dɑ̃], Society of Independent Artists) or Salon des Indépendants (pronounced [salɔ̃ dez ͜ ɛ̃depɑ̃dɑ̃]) was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "sans jury ni récompense" ("without jury nor reward"). Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the Artistes Indépendants remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais (next door to the Société des Artistes Français, the Société Nationale des Beaux-Arts, the Société du Salon d'Automne, and others).