Saint Isaac's Square in the context of Admiralty building, Saint Petersburg


Saint Isaac's Square in the context of Admiralty building, Saint Petersburg

⭐ Core Definition: Saint Isaac's Square

Saint Isaac's Square or Isaakiyevskaya Ploshchad (Russian: Исаа́киевская пло́щадь), known as Vorovsky Square (Russian: Площадь Воровского) between 1923 and 1944, in Saint Petersburg, Russia is a major city square sprawling between the Mariinsky Palace and Saint Isaac's Cathedral, which separates it from Senate Square. The square is graced by the equestrian Monument to Nicholas I.

The Lobanov-Rostovsky House (1817–1820) on the west side of the square was designed by Auguste de Montferrand. It may be described as an Empire style building that has an eight-column portico facing the Admiralty building. The main porch features the twin statues of Medici lions on granite pedestals; they were made famous by Pushkin in his last long poem, The Bronze Horseman. Nearby is Quarenghi's Horse Guards' Riding Hall (1804–1807), in part inspired by the Parthenon and flanked by the marble statues of the Dioscuri, by Paolo Triscornia.

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Saint Isaac's Square in the context of State Council of Imperial Russia

The State Council (Russian: Госуда́рственный сове́т, romanized: Gosudarstvennyy sovet, IPA: [ɡəsʊˈdarstvʲɪn(ː)ɨj sɐˈvʲet]) was the supreme state advisory body to the tsar in the Russian Empire. From 1906, it was the upper house of the parliament under the Russian Constitution of 1906.

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Saint Isaac's Square in the context of Stripped Classicism

Stripped Classicism (also referred to as Starved Classicism or Grecian Moderne) is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adopted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure.

Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably.

View the full Wikipedia page for Stripped Classicism
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