Saga in the context of "Serkland"

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrelated groups, as with Chaucer's The Canterbury Tales. So sagas include both incidental poetry and the biographies of poets.

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

Hrothgar (Old English: Hrōðgār [ˈr̥oːðɡɑːr]; Old Norse: Hróarr) was a semi-legendary Danish king living around the early sixth century AD.

Hrothgar appears in the Anglo-Saxon epics Beowulf and Widsith, in Norse sagas and poems, and in medieval Danish chronicles. In both Anglo-Saxon and Scandinavian tradition, Hrothgar is a Scylding, the son of Halfdan, the brother of Halga, and the uncle of Hrólfr Kraki. Moreover, in both traditions, the mentioned characters were the contemporaries of the Swedish king Eadgils; and both traditions also mention a feud with men named Fróði and Ingeld. The consensus view is that Anglo-Saxon and Scandinavian traditions describe the same person.

Harald Fairhair (Old Norse: Haraldr Hárfagri; c. 850 – c. 932) was a Norwegian king. According to traditions current in Norway and Iceland in the eleventh and twelfth centuries, he reigned from c. 872 to 930 and was the first King of Norway. Supposedly, two of his sons, Eric Bloodaxe and Haakon the Good, succeeded Harald to become kings after his death.

Much of Harald's biography is uncertain. A couple of praise poems by his court poet Þorbjörn Hornklofi survive in fragments, but the extant accounts of his life come from sagas set down in writing around three centuries after his lifetime. His life is described in several of the Kings' sagas, none of them older than the twelfth century. Their accounts of Harald and his life differ on many points, but it is clear that in the twelfth and thirteenth centuries Harald was regarded as having unified Norway into one kingdom.

Harald Sigurdsson (Old Norse: Haraldr Sigurðarson; c. 1015 – 25 September 1066), also known as Harald III of Norway and given the epithet Hardrada in the sagas, was King of Norway from 1046 to 1066. He unsuccessfully claimed the Danish throne until 1064 and the English throne in 1066. Before becoming king, Harald spent 15 years in exile as a mercenary and military commander in Kievan Rus' and chief of the Varangian Guard in the Byzantine Empire. In his chronicle, Adam of Bremen called him the "Thunderbolt of the North".

In 1030, the fifteen-year-old Harald fought in the Battle of Stiklestad alongside his half-brother Olaf Haraldsson. Olaf sought to reclaim the Norwegian throne, which he had lost to Danish king Cnut two years previously. Olaf and Harald were defeated by forces loyal to Cnut, and Harald was forced into exile to Kievan Rus'. Thereafter, he was in the army of Grand Prince Yaroslav the Wise, becoming captain, until he moved on to Constantinople with his companions around 1034. In Constantinople, he rose quickly to become the commander of the Byzantine Varangian Guard, seeing action on the Mediterranean Sea, in Asia Minor, Sicily, possibly in the Holy Land, Bulgaria and in Constantinople itself, where he became involved in the imperial dynastic disputes. Harald amassed wealth whilst in the Byzantine Empire, which he shipped to Yaroslav in Kievan Rus' for safekeeping. In 1042, he left the Byzantine Empire, returning to Kievan Rus' to prepare to reclaim the Norwegian throne. In his absence the Norwegian throne had been restored from the Danes to Olaf's illegitimate son Magnus the Good.

Færeyinga saga, Old Norse for the Faroe-Islander Saga (Icelandic pronunciation: listen; Faroese: Føroyinga søga; Danish: Færingesagaen), the saga of the Faroe Islanders, is the story of how the Faroes were converted to Christianity and became a part of Norway, originally written down in the 13th century.

The sagas of Icelanders (Icelandic: Íslendingasögur, modern Icelandic pronunciation: [ˈislɛndiŋkaˌsœːɣʏr̥]), also known as family sagas, are a subgenre, or text group, of Icelandic sagas. They are prose narratives primarily based on historical events that mostly took place in Iceland in the ninth, tenth, and early eleventh centuries, during the Saga Age. They were written in Old Icelandic, a western dialect of Old Norse, primarily on calfskin. They are the best-known specimens of Icelandic literature.

They are focused on history, especially genealogical and family history. They reflect the struggle and conflict that arose within the societies of the early generations of Icelandic settlers. The Icelandic sagas are valuable and unique historical sources about medieval Scandinavian societies and kingdoms, in particular regarding pre-Christian religion and culture and the heroic age.