Sachs–Hornbostel in the context of Ethnomusicology


Sachs–Hornbostel in the context of Ethnomusicology

⭐ Core Definition: Sachs–Hornbostel

Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs. This system was first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961, which is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.

Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any culture.

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Sachs–Hornbostel in the context of Erich Moritz von Hornbostel

Erich Moritz von Hornbostel (25 February 1877 – 28 November 1935) was an Austrian ethnomusicologist, comparative musicologist, and scholar of music. He is remembered for his pioneering work in the field of ethnomusicology, and for the Sachs–Hornbostel system of musical instrument classification which he co-authored with Curt Sachs. He is also known as the father of the "Berlin School of Ethnomusicology" in conjunction with Carl Stumpf.

View the full Wikipedia page for Erich Moritz von Hornbostel
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