Runes in the context of "Germanic philology"

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⭐ Core Definition: Runes

Runes are the letters in a set of related alphabets, known as runic rows, runic alphabets or futharks (also, see futhark vs runic alphabet), native to the Germanic peoples. Runes were primarily used to represent a sound value (a phoneme) but they were also used to represent the concepts after which they are named (ideographic runes). Runology is the academic study of the runic alphabets, runic inscriptions, runestones, and their history. Runology forms a specialised branch of Germanic philology.

The earliest secure runic inscriptions date from at latest AD 150, with a possible earlier inscription dating to AD 50 and Tacitus's possible description of rune use from around AD 98. The Hole Runestone dates from between BC 50 and AD 275. Runes were generally replaced by the Latin alphabet as the cultures that had used runes underwent Christianisation, by approximately AD 700 in central Europe and 1100 in northern Europe. However, the use of runes persisted for specialized purposes beyond this period. Up until the early 20th century, runes were still used in rural Sweden for decorative purposes in Dalarna and on runic calendars.

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Runes in the context of Anglo-Saxon runes

Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: ᚱᚢᚾᚪ, romanized: rūna, lit.'rune'). Today, the characters are known collectively as the futhorc (ᚠᚢᚦᚩᚱᚳ, fuþorc) from the first six runes and their sound values. The futhorc was a development from the older co-Germanic 24-character runic alphabet, known today as Elder Futhark, expanding to 28 characters in its older form and up to 34 characters in its younger form. In contemporary Scandinavia, the Elder Futhark developed into a shorter 16-character alphabet, today simply called Younger Futhark.

Use of the Anglo-Frisian runes is likely to have started in the 5th century onward and they continued to see use into the High Middle Ages. By the 8th century, they were eventually overtaken by the Old English Latin alphabet introduced to Anglo-Saxon England by missionaries at the end of the 6th century. Futhorc runes were no longer in common use by the 11th century, but MS Oxford St John's College 17 indicates that fairly accurate understanding of them persisted into at least the 12th century.

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Runes in the context of Runic magic

There is some evidence that, in addition to being a writing system, runes historically served purposes of magic. This is the case from the earliest epigraphic evidence of the Roman to the Germanic Iron Age, with non-linguistic inscriptions and the alu word. An erilaz appears to have been a person versed in runes, including their magic applications.

In medieval sources, notably the Poetic Edda, the Sigrdrífumál mentions "victory runes" to be carved on a sword, "some on the grasp and some on the inlay, and name Tyr twice."

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Runes in the context of Old Italic scripts

The Old Italic scripts are a family of ancient writing systems used in the Italian Peninsula between about 700 and 100 BC, for various languages spoken in that time and place. The most notable member is the Etruscan alphabet, which was the immediate ancestor of the Latin alphabet used by more than 100 languages today, including English. The runic alphabets used in Northern Europe are believed to have been separately derived from one of these alphabets by the 2nd century AD.

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Runes in the context of Germanic mysticism

Ariosophy and Armanism are esoteric ideological systems that were largely developed by Jörg Lanz von Liebenfels and Guido von List, respectively, in Austria between 1890 and 1930. The term 'Ariosophy', which translates to wisdom of the Aryans, was invented by Lanz von Liebenfels in 1915, and during the 1920s, it became the name of his doctrine. For research on the topic, such as Nicholas Goodrick-Clarke's book The Occult Roots of Nazism, the term 'Ariosophy' is generically used to describe the Aryan/esoteric theories which constituted a subset of the 'Völkische Bewegung'. This broader use of the word is retrospective and it was not generally current among the esotericists themselves. List actually called his doctrine 'Armanism', while Lanz used the terms 'Theozoology' and 'Ario-Christianity' before the First World War.

The ideas of Von List and Lanz von Liebenfels were part of a general occult revival that occurred in Austria and Germany during the late 19th and early 20th centuries; a revival that was loosely inspired by historical Germanic paganism, holistic philosophy, and Christianity, as well as by esoteric concepts that were influenced by German romanticism and Theosophy. The connection between this form of Germanic mysticism and historical Germanic culture is evident in the mystics' fascination with runes, in the form of Guido von List's Armanen runes.

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Runes in the context of SS runes

SS runes (German: SS-Runen) is a generic name given to a collection of pseudo-runes used by the Schutzstaffel (SS), from the 1920s to 1945, for Nazi-occultism purposes. SS runes were featured on flags, uniforms and other items as symbols of various aspects of Nazi ideology and Germanic mysticism. They also represented virtues seen as desirable in SS members and were based on völkisch mystic Guido von List's pseudo-runic Armanen runes, which he loosely based on the historical runic alphabets; however, the SS runes also included other esoteric symbols not borrowed from Armanen runes. Post–World War II, these insignia continue to be used by neo-Nazi individuals and groups.

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Runes in the context of Gothic alphabet

The Gothic alphabet is an alphabet for writing the Gothic language. It was developed in the 4th century AD by Ulfilas (or Wulfila), a Gothic preacher of Cappadocian Greek descent, for the purpose of translating the Bible.

In form, most letters resemble letters of the Greek alphabet. The origin of the alphabet is disputed: it is debated whether (or how) the Latin and Runic alphabets were used as a source. The set of letters, and the way that they are used, show some innovations to express Gothic phonology.

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