Kundakunda in the context of "Jain monasticism"

⭐ In the context of Jain monasticism, what fundamental set of principles are consistently observed by ascetics across both Digambara and Śvētāmbara sects?

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⭐ Core Definition: Kundakunda

Kundakunda is the name given to the author or authors of sixteen influential Digambara texts, including Niyamasāra ("The Essence of the Restraint"), Pañcāstikāyasāra ("The Essence of the Five Existents"), Samayasāra ("The Essence of the Self"), and Pravacanasāra ("The Essence of the Teaching"). These attributions are questioned, and "only parts of some works are likely to have been written by him," showing "clear signs of interpolations" and multiple authorship.

While dates for "Kundakunda" range from scholarly datings in the 8th c. CE to traditional datings in the 2nd–3rd c. CE, texts attributed to him may reflect multiple authorship, containing layers dating from 350–400 (Pañcâstikāya-sangraha) and 550–600 CE (Samaya-sāra) up to 950–1150 CE. The Kundakunda-core texts were anonymous compilations for several centuries, and it is not until Jayasena's (ca. 1150–1200) commentary on the Pañcâstikāya that an author is explicitly mentioned and a Kundakunda-narrative is created.

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👉 Kundakunda in the context of Jain monasticism

Jain monasticism refers to the order of monks and nuns in the Jain community and can be divided into two major denominations: the Digambara and the Śvētāmbara. The monastic practices of the two major sects vary greatly, but the major principles of both are identical. Five mahāvratas (Great Vows), from Mahavira's teachings, are followed by all Jain ascetics of both the sects. Historians believe that a united Jain sangha (community) existed before 367 BCE, about 160 years after the moksha (liberation) of Mahavira. The community then gradually divided into the major denominations. However, no evidence indicate when the schism between the Digambaras and the Śvetāmbaras happened.

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Kundakunda in the context of Digambara

Digambara (/dɪˈɡʌmbərə/; "sky-clad") is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Nakedness was the ideal practice of lord Mahavira and his immediate followers. Mahavira emphasised the importance of nakedness for monks. It symbolizes complete detachment and is an ideal form of conduct. Mahavira believed that renouncing clothes made the body immune to external influences like heat and cold, increasing resilience. Without clothes, a monk would avoid the distractions of acquiring, maintaining, and washing garments, allowing him to focus on spiritual growth and self-discipline.

Digambara and Śvetāmbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important. Digambaras maintain that women cannot attain nirvana. However, Śvetāmbaras differ and maintain that women as well as eunuchs can attain nirvana, having more inclusivity.

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Kundakunda in the context of Niyamasara

Niyamasāra is a Jain text authored by Acharya Kundakunda, a Digambara Jain acharya. It is described by its commentators as the Bhagavat Shastra. It expounds the path to liberation.

A modern English translation was published by Vijay K. Jain in 2019.

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Kundakunda in the context of Pancastikayasara

Pañcāstikāyasāra ("The Essence of Reality") is an ancient Jain text authored by Acharya Kundakunda. Kundakunda explains the Jain concepts of dravya (substance) and Ethics. The work serves as a brief version of the Jaina philosophy. There are total 180 verses written in Prakrit language. The text is about five (panch) āstikāya, substances that have real existence and have substance, namely Jīva (soul), Pudgala (matter), Dharma (medium of motion), Adharma (medium of rest), and Akasa (space).

A modern English translation was published by Vijay K. Jain in 2018.

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Kundakunda in the context of Samayasara

Samayasāra (The Nature of the Self) is a famous Jain text composed by Kundakunda (8th c. CE)) in 439 verses. Its ten chapters discuss the nature of Jīva (pure self/soul), its attachment to Karma and Moksha (liberation). Samayasāra expounds the Jain concepts like Karma, Asrava (influx of karmas), Bandha (Bondage), Samvara (stoppage), Nirjara (shedding) and Moksha (complete annihilation of karmas).

A modern English translation was published by Vijay K. Jain in 2022.

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Kundakunda in the context of Pravachanasara

Pravacanasāra is a text composed by Jain monk Kundakunda in the second century CE or later. The title means "Essence of the Doctrine" or "Essence of the Scripture", and it largely deals with the correct ascetic and spiritual behavior based on his dualism premise. Kundakunda provides a rationale for nudity among Digambara monks in this text, stating that the duality of self and of others means "neither I belong to others, nor others belong to me, therefore nothing is mine and the ideal way for a monk to live is the way he was born". The text is written in Prakrit language, and it consists of three chapters and 275 verses.

A modern English translation was published by Vijay K. Jain in 2020.

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