Royal Academy of Fine Arts (Antwerp) in the context of "Archduke Leopold Wilhelm"

Sir Lawrence Alma-Tadema OM, RA, RWS (/ˈælmə ˈtædeɪmə/ AL-mə TAD-ay-mə; born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there.

A painter of mostly classical subjects, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. One of the most popular Victorian painters, Alma-Tadema was admired during his lifetime for his draftsmanship and accurate depictions of Classical antiquity, but his work fell out of fashion after his death, and only since the 1960s has it been appreciated for its importance within Victorian painting.

David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.

He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Peter Paul Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.